Today the National Environment Management Authority (NEMA) of Kenya issued a closure order against Habanos Lounge, a popular nightclub located along the Northern Bypass near Kiambu Road. The directive, effective immediately, came after persistent complaints from nearby residents about excessive noise pollution and the club’s failure to comply with prior noise control orders.
NEMA’s decision follows weeks of escalating tensions, highlighted by a senior government official’s public call on April 6 for the club to address the noise issue. The official, previously associated with the Hustler Nation Intelligence Bureau, pointed out that the noise was severely impacting families and schoolchildren in the Ridgeways area, with some residents forced to soundproof their homes to cope. The official urged Habanos to follow the example of neighboring clubs like BND, which had already implemented soundproofing measures.
Habanos Lounge, strategically positioned near affluent residential neighborhoods, had been under scrutiny for its loud operations. NEMA’s statement confirmed that despite earlier warnings, the club did not take adequate steps to mitigate the noise, prompting the closure. The authority emphasized its commitment to enforcing environmental regulations, particularly in residential areas where noise pollution can significantly disrupt quality of life.
This action is part of a broader crackdown by NEMA on noisy establishments. In March 2025, the authority issued warnings to three nightclubs in Lavington and Kilimani, demanding robust noise control measures with the threat of closure for non-compliance. NEMA’s Environmental Education Director, Ayub Macharia, recently reiterated that the agency would not spare any establishment—be it clubs, companies, or even churches—found violating noise pollution regulations. This stance aligns with Nairobi County Governor Johnson Sakaja’s 2024 directive banning nightclubs from operating in residential zones and restricting them to commercial areas.
The closure of Habanos Lounge raises questions about the balance between entertainment businesses and community well-being. While nightclubs contribute to the local economy and nightlife culture, their proximity to residential areas often leads to conflicts. NEMA’s firm action signals a prioritization of environmental and public health over commercial interests, but it also underscores the need for better urban planning and stricter adherence to zoning laws.
For residents near Habanos, the closure brings relief, though some wonder if the club will appeal the order or take steps to reopen with proper noise mitigation. For now, NEMA’s enforcement serves as a reminder that environmental regulations are not mere suggestions—they are mandates meant to protect the public from the often-overlooked harm of noise pollution.
Tag: Kenya news
Controversy Erupts at National Drama Festivals as Butere Girls Stage Walkout Over “Echoes of War” Play
The Kenya National Drama and Film Festivals in Nakuru County descended into chaos on Thursday morning as students from Butere Girls High School staged a dramatic walkout, refusing to perform their controversial play, Echoes of War. The play, which has been at the center of a national debate on freedom of expression, governance, and youth empowerment, has sparked widespread criticism of the government’s handling of the situation, with allegations of censorship, police intimidation, and deliberate sabotage.
The drama unfolded at Melvin Jones Hall, one of the venues hosting the 63rd edition of the annual festival, which runs from April 7 to April 15. Butere Girls, who had fought a legal battle to secure their spot at the nationals, were scheduled to perform at 8:00 AM. However, the students took to the stage, sang the national anthem, and promptly walked off, citing multiple grievances. According to the students, they were denied access to a public address system, stage props, and an audience—resources that other schools had been provided. They also claimed they had been barred from rehearsing for the past three weeks and were unable to meet with their director, former Kakamega Senator Cleophas Malala, who was arrested the previous night.
“We want to perform. We want to rehearse with our director. We want to perform in front of an audience,” one student declared from the school bus, her voice trembling with emotion. The students also demanded the release of Malala, who scripted the play and has been a vocal critic of the government. Malala, a former UDA Secretary General now at odds with the ruling party, was detained on Wednesday evening in Rongai, Nakuru County, and is currently being held at Eldama Ravine Police Station. His arrest followed a tense standoff with police, who reportedly blocked him from accessing Kirobon Girls High School, where the Butere students were staying.
The situation escalated as other schools joined Butere Girls in protest, chanting anti-government slogans, including some directed at President William Ruto. Police responded by lobbing tear gas into Melvin Jones Academy, forcing students to retreat to their buses. Several students were caught in the chaos, with some falling as they rushed for safety. “Funga dirisha, funga dirisha!” (Close the window, close the window!) students were heard shouting as tear gas filled the air. Journalists covering the event were also targeted, with six reporters sustaining injuries after police assaulted them and fired tear gas canisters. Affected journalists included Nation Media Group’s Purity Kinuthia, Citizen TV’s Mary Ann Nyambura, and Standard photographer Joseph Kipsang, whose camera was damaged in the melee.
Echoes of War, written by Malala, is set in a fictional nation recovering from civil war and follows a generation of young people using digital platforms to demand accountability, democracy, and justice. The play’s themes of governance, technology, and civil liberties resonate deeply with Kenya’s Gen Z, particularly in light of the 2024 protests against the government’s proposed Finance Bill. However, its critical portrayal of state structures has made it a lightning rod for controversy. The play was initially banned from the Western Regional winners’ gala, with the school’s drama club ordered to disband. This decision was overturned on April 3 by High Court Justice Wilfrida Okwany, who ruled in favor of free expression and ordered the school’s principal, Jennipher Omondi, to recall the 50 drama students and facilitate their participation in Nakuru.
Despite the court ruling, the students faced continued obstacles. On Wednesday, festival organizers imposed new rules, barring journalists and the public from accessing venues and prohibiting photography, videography, and live streaming of performances. The Kenya Institute of Curriculum Development (KICD), which had been broadcasting the festival on Edu TV, was forced to pack up its equipment. Critics argue that these measures were specifically designed to suppress the impact of Echoes of War.
The controversy has drawn sharp reactions from political figures and the public. KANU National Chairman Gideon Moi condemned the government’s actions, calling the students “daughters of this nation” who should be celebrated, not punished, for speaking truth through art. “The play is a bold and thoughtful satire on the collapse of social services, entrenched patronage politics, and broken promises, reflecting the lived frustrations of our young people,” Moi said in a statement. He likened the situation to the 2013 banning of Butere Girls’ play Shackles of Doom, also written by Malala, which was reinstated after a court battle.
Posts on X reflect a growing public outcry, with many users accusing the government of attempting to censor dissent. One user noted, “Stopping Butere Girls from performing at the national level seems like an attempt to censor dissent. When a school play begins to trend nationally, drawing praise for its courage and truth, it threatens the carefully crafted image the government wants.” Another user remarked, “The government is now performing the play on behalf of Butere Girls,” pointing to the irony of the state’s actions mirroring the play’s themes of oppression and resistance.
The play’s content has also stirred debate. A character in Echoes of War declares, “This is a generational war. A war against authorities who have turned a deaf ear to our cries. A war against our own parents, who cling to their rigid ways, are still trapped in the outdated norms and primitive practices of the past.” Such lines have been praised for their boldness but have also fueled the government’s unease, with reports suggesting that influential figures ordered the play’s suppression out of fear it could embarrass First Lady Rachael Ruto, an alumna of Butere Girls.
Controlled Demolition of an 11-Storey Building in Mombasa
Today, the city of Mombasa witnessed a dramatic yet carefully orchestrated event: the controlled demolition of an 11-storey building located off Abdel Nasser Road. The structure, which had become a ticking time bomb due to severe structural weaknesses, was brought down in a matter of seconds by a team led by the Kenya Defence Forces (KDF), marking one of the most significant risk mitigation efforts in the region’s recent history. The demolition ended weeks of anxiety for residents and officials alike, who had feared an uncontrolled collapse that could have claimed lives and caused widespread destruction.
A Building on the Brink
The saga began on April 2, 2025, when cracks and signs of tilting were first observed in the building, situated near the Coast General Teaching and Referral Hospital in the Lighthouse area of Mombasa. Initial assessments revealed that the structure, originally approved for only nine storeys, had been extended to eleven, raising immediate questions about oversight and adherence to construction standards. More alarmingly, a multi-agency investigation pinpointed the root cause of the instability: unauthorized borehole drilling near the building’s foundation. This ill-advised activity had compromised the structural integrity, causing the ground-floor columns to collapse by approximately three meters and the building to sink, with the first floor effectively becoming the ground level.
Mombasa Governor Abdulswamad Sheriff Nassir described the situation as a “severe foundational compromise,” warning that the building posed an imminent threat to adjacent residential and commercial properties, as well as the nearby hospital. By April 3, residents in surrounding buildings were evacuated as emergency teams cordoned off the area, and plans for a controlled demolition were set in motion.
A Multi-Agency Response
The operation to bring down the building was a collaborative effort involving the KDF, the National Police Service (NPS), the National Youth Service (NYS), and the Mombasa County Government. The Ministry of Interior and National Administration, through the National Disaster Operation Center (NDOC), enlisted the KDF’s logistical and engineering expertise to ensure the demolition was executed safely. Defence Cabinet Secretary Soipan Tuya formalized the deployment via a gazette notice on April 7, citing the KDF’s constitutional mandate to assist civil authorities in times of emergency.
Governor Nassir announced a raft of precautionary measures ahead of the demolition, including the evacuation of residents within a 1.2-kilometer radius of the site by 6:00 AM on April 9. Nyali Bridge, a critical artery connecting Mombasa Island to the mainland, was closed to traffic, and schools and businesses in the vicinity were shuttered. Patients at the Coast General Hospital, including those in the ICU, were relocated to safer facilities, with authorities urging residents to leave windows open to mitigate the blast’s impact. Emergency teams, including fire engines and ambulances, were stationed on standby, while security was bolstered by a multi-agency presence.
The Demolition: A Moment of Relief
A single, powerful explosion reverberated through Mombasa as military engineers detonated strategically placed explosives. Within seconds, the 11-storey structure crumbled into a heap of rubble, sending up a cloud of dust that took about an hour to settle. Videos circulating online captured the dramatic moment, with the loud thud startling birds into flight but leaving nearby buildings unscathed—a testament to the operation’s precision. No casualties were reported, and after the dust settled, KDF officers gathered atop the debris, breaking into song and applause to celebrate a job well done.
Governor Nassir had warned residents not to be alarmed by the loud bang, assuring them that “all necessary safety measures have been observed.” The successful demolition brought an end to what he had called a “ticking time bomb,” a sentiment echoed by Mombasa County Commissioner Mohammed Noor, who praised the multi-agency coordination for ensuring public safety.
A Wake-Up Call for Construction Standards
The incident has reignited scrutiny over construction practices in Mombasa, a rapidly urbanizing coastal city where high-rise developments are increasingly common. The Architectural Association of Kenya (AAK) attributed the building’s failure to poor workmanship and structural deficiencies, noting that the developer had exceeded the approved number of floors. Arch. Lawrence Gitau of the National Building Inspectorate confirmed that while initial approvals were granted, further investigation would determine if additional permissions were illicitly obtained or bypassed. He criticized the common practice of hiring architects and engineers for design approvals only to sidestep their supervision during construction—a shortcut that likely contributed to this near-disaster.
Materials from the rubble will be tested in a laboratory to pinpoint the exact cause of the collapse, but experts are already calling for stricter enforcement of building codes, mandatory soil testing, and enhanced oversight by county authorities. The AAK has urged Mombasa to adopt campaigns like Nairobi’s “Je Una Mjengo?” to promote compliance and safer practices among developers.
How The Widow’s Empowerment Program Transformed Mama Grace’s Life
For 56 years, Mama Grace Adhiambo endured a life of hardship in North Seme, Kisumu. Her existence was defined by a fragile shelter constructed from sticks, mud, and tattered plastic. This makeshift dwelling offered no respite from the elements, leaving her and her 5 children vulnerable to rain, cold, and persistent insecurity. Her children’s playground was the bare earth, their surroundings marked by worn-out furniture and jerrycans, a stark contrast to the secure, nurturing environment every child deserves. Mama Grace’s plight, sadly, went unnoticed by many, a testament to her invisibility.
However, her story took a dramatic turn when PS Raymond Omollo’s Widow Empowerment Program recognized her extreme vulnerability.
The Program’s Intervention
The program’s intervention was not merely symbolic; it was tangible and transformative. They arrived with dedicated workers, essential building materials, and a profound sense of compassion. The program’s commitment manifested in the construction of a durable home, replacing her dilapidated shelter with sturdy brick walls and a secure roof. Mama Grace, overwhelmed with emotion, witnessed the realization of a dream she had long abandoned. Her tears, once a constant companion of her suffering, now flowed as an expression of profound gratitude.
The Gift of a Home
Today, Mama Grace resides in a secure and dignified home, a sanctuary where her children can sleep soundly. The warmth of community support, coupled with the ongoing assistance from the Widow Empowerment Program, has fostered a sense of belonging and safety. During the emotional handover of her new home, Mama Grace raised her hands in heartfelt praise, acknowledging the “miracle” that had reshaped her life.
Restoring Lives and Dignity
This initiative transcends the provision of mere shelter; it signifies restoration and the rekindling of hope. It’s a narrative of transformation, marking the commencement of a new, brighter chapter. Under the patronage of Dr. Raymond Omollo, the Widow Empowerment Program is doing more than building houses; it is restoring dignity, granting visibility to the forgotten, and planting seeds of hope in fertile ground.
ATC Kenya Partners with ProFuturo Foundation to Transform Educational Landscape in Kenya through Digital Innovation
- This partnership is expected to directly benefit over 11,000 students and 470 teachers during the next three years in 41 schools in Nairobi and its surroundings, and Kitui.
- The collaboration in Kenya is a key part of a global partnership between American Tower and ProFuturo Foundation to reduce gaps in access, use and quality of educational resources in seven countries in Africa and Latin America.
Nairobi, Kenya – March 20, 2025 – ATC Kenya, a leading provider of telecommunications infrastructure, and ProFuturo Foundation, a global initiative for educational innovation through technology established by the Telefónica Foundation and the “la Caixa” Foundation, are proud to announce their partnership aimed at advancing digital learning in Kenya. This collaboration has facilitated the distribution of tablets to 30 schools across Nairobi and Machakos Counties, marking a significant milestone in enhancing digital access for students. The agreement has been expanded to include an additional 11 schools in Kitui.
Over the next three years, this partnership is expected to positively and directly benefit more than 11,000 students and 470 teachers. The implementation of this project is led by two local partners, Don Bosco Development Outreach Network (DBDON) and the Diocese of Kitui.Through its Digital Communities program, which provides digitally connected, technology-equipped spaces offering digital literacy and education for youth, financial education and vocational training for adults, and healthcare services, ATC Kenya believes that this partnership with ProFuturo will reach youths and students across Kenya, promoting innovative practices and strengthening digital educational transformation.
The devices distributed by ATC Kenya and ProFuturo Foundation will improve learning experiences, equip learners with technology to foster new skills and knowledge, and create pathways for future success, helping to close educational gaps.
ATC Kenya CEO, George Odenyo, noted that: “This project is a testament of ATC Kenya’s vision of building a more connected Kenya. It aims to enhance digital access and foster partnerships in the communities where we operate. We constantly work with key partners to ensure that our Digital Communities are well equipped to employ the use of technology for digital equity, literacy, and career upskilling-efforts that are geared towards enhancing the lives of community members”.
Magdalena Brier, General Manager of ProFuturo Foundation, celebrates this agreement that “reinforces the commitment of the two organizations against the digital divide and the education gap. The alliance between ProFuturo Foundation and American Tower is a big step to improve educational opportunities for the most vulnerable. We are very honored with their support for what we have been doing since 2016 and I continually think about each of the teachers, boys and girls who will benefit, because, together, we are going to contribute to transform their lives.”
The ATC Kenya and ProFuturo Foundation partnership will also address educational disparities brought about by the digital divide by equipping schools with high-quality tablets. These devices are designed to enrich the learning experience, support interactive teaching methods, and provide students with
access to a wealth of digital educational content. The devices are pre-installed with educational applications and resources to support various subjects and enhance classroom learning.
About ATC Kenya
ATC Kenya is a subsidiary of American Tower Corporation, one of the largest global Real Estate Investment Trusts (REITs), and a leading independent owner, operator and developer of multitenant communications real estate.
As an independent owner, operator, and developer of wireless communications infrastructure, ATC Kenya has 4000+ telecommunications sites across all forty-seven (47) counties helping mobile network operators and other telecommunication providers confidently deliver communications connectivity to consumers in Kenya.www.atckenya.ke
For more information, visit www.americantower.com
*************************************************************************************************************
About ProFuturo Foundation
ProFuturo Foundation is an initiative of educational innovation with technology launched by Telefónica Foundation and “la Caixa” Foundation to reduce the educational gap in the world by providing quality education to children in vulnerable environments in Latin America, the Caribbean, Africa and Asia. Its intervention model is based on the evidence of impact provided by continuous monitoring processes, studies and evaluations.
The ProFuturo program uses innovative teaching methodologies to help teachers and students develop competencies to face the challenges of the 21st century. The program works with other institutions and companies and aims to create a large international network of teachers who teach, learn and share knowledge to achieve, together, a better education in the world.
https://profuturo.education/en/
Omari Hardwick From “Power” Tours Kenya
Hollywood star Omari Hardwick, widely recognized for his iconic role as James “Ghost” St. Patrick in the hit TV series Power, recently made waves with his arrival in Kenya on March 14, 2025. Landing at Jomo Kenyatta International Airport (JKIA), the award-winning actor was greeted with a vibrant and colorful reception that showcased Kenya’s rich cultural heritage. His visit, which coincided with the grand opening of HQ Kenya House in Tatu City, has sparked excitement across the country, blending entertainment, business, and cultural exchange in a momentous occasion.
A Warm Kenyan Welcome
Hardwick’s arrival was nothing short of spectacular. Maasai dancers adorned in traditional attire welcomed him with rhythmic songs and dances, draping him in Maasai shukas as a gesture of hospitality. The actor, visibly delighted, embraced the experience, later sharing his enthusiasm with the media. “It feels great to be here! I’m looking forward to experiencing Kenya’s vibrant creative and business scene while using my platform to highlight what’s happening here,” Hardwick said, flashing his signature smile as he strolled through the airport.
The warm reception reflects Kenya’s growing reputation as a destination for high-profile visitors, with Hardwick joining a list of celebrities drawn to the country’s dynamic culture and opportunities. For many Kenyans, his visit is a point of pride, amplifying the nation’s presence on the global stage.
The Purpose of the Visit: HQ Kenya House Launch
The centerpiece of Hardwick’s trip was the launch of HQ Kenya House, an exclusive private members’ club located in Tatu City, a sprawling 5,000-acre development just outside Nairobi. The grand opening, dubbed “The Premiere,” took place on Saturday, March 15, 2025, and attracted a mix of high-profile entrepreneurs, creatives, and business leaders. HQ Kenya House is the second global outlet of the U.S.-based HQ House brand, following its successful establishment in Washington, D.C., and represents a bold step in connecting Black professionals and creatives across continents.
Founded by brothers John and Mike Burns, HQ Kenya House aims to foster a community where innovation, culture, and luxury intersect. With a hefty initiation fee of Sh650,000 and annual dues of Sh206,500, the club offers members unlimited access, guest passes, daily complimentary drinks, and reciprocal privileges at its D.C. counterpart. Hardwick, a member himself, expressed his excitement about the venture, noting its potential to bridge America and Africa. “I’m looking to have a fun time and also spread my wings in terms of business opportunities,” he said, emphasizing his intent to spotlight Kenyan businesses and talent.
Prudence Karimi, PR and Communications Manager for Tatu City, echoed this sentiment, highlighting the significance of Hardwick’s presence. “Omari’s visit is a major boost to Kenya’s creative and business landscapes. We have an exciting lineup of engagements for him, including interactions with top Kenyan creatives and an exclusive tour of Tatu City,” she shared.
Engaging with Kenya’s Creative Scene
Beyond the launch, Hardwick’s visit has been a celebration of creativity and empowerment. In an exclusive interview with TV 47 on March 16, 2025, at HQ Kenya House, he spoke passionately about the power of representation. “In my films, I strive to empower young people. When they see me—a Black man—making it, they think, ‘If Omari can do it, why can’t I?’” His words resonated with Kenya’s burgeoning creative community, many of whom see his success as an inspiration.
The actor also connected with local talent, immersing himself in Kenya’s vibrant cultural landscape. From learning the viral Swahili phrase “Panda kitanda” (which he repeated with a laugh) to mingling with figures like East African Legislative Assembly MP Winnie Odinga, Hardwick embraced the opportunity to engage authentically with the country. His interactions underscored the visit’s broader theme: a fusion of Hollywood stardom with African ambition.
A Broader Impact
Hardwick’s trip comes at a time when Kenya is increasingly positioning itself as a hub for business, leisure, and cultural exchange. Tatu City, the site of HQ Kenya House, is a testament to this vision—a Special Economic Zone designed to integrate living, working, and recreation. The actor’s involvement in the club’s launch signals Kenya’s appeal to global influencers and investors alike, boosting its tourism and creative industries.
For Hardwick, the visit is both personal and professional. Known for his multifaceted career as an actor, poet, and activist, he sees Kenya as a land of opportunity. “Kenya is an incredible place to do business, and we are excited to introduce HQ House as a space that blends culture, community, and curated luxury experiences,” said John Burns, co-founder of HQ House, speaking to the broader mission Hardwick supports.
A Lasting Impression
As of March 17, 2025, Omari Hardwick’s visit continues to generate buzz. From his warm airport welcome to the glitz of “The Premiere,” his presence has left an indelible mark on Kenya. More than just a celebrity appearance, it’s a moment of connection—between continents, cultures, and communities. For Kenyan fans of Power and aspiring creatives alike, Hardwick’s journey to their homeland is a reminder that ambition knows no borders, and the world is watching as Africa defines its future on its own terms.
Mathematics No Longer Compulsory in Kenya’s Senior Secondary Schools
In a groundbreaking move, Kenya’s Ministry of Education has announced that mathematics will no longer be a compulsory subject for students transitioning to senior secondary school under the Competency-Based Curriculum (CBC). This radical shift, effective as of this year, marks a significant departure from the traditional 8-4-4 education system and has sparked widespread debate about its implications for the country’s future.
Basic Education Principal Secretary Belio Kipsang unveiled the change on Thursday, emphasizing that the decision aligns with the CBC’s focus on flexibility and student-centered learning. “In Grade 10, it is not compulsory to do mathematics and science subjects,” Kipsang stated. “If a student is not pursuing humanities or sciences, why would they be required to take mathematics?” The announcement signals a new era where students can tailor their education to their strengths and career aspirations, rather than adhering to a one-size-fits-all model.
A New Framework for Senior Secondary Education
Under the revised CBC framework, senior secondary students—starting with the pioneer Grade 9 class of 2025—will be required to take four mandatory subjects: English (or Kenya Sign Language), Kiswahili, Physical Education, and Community Service Learning. Beyond these, learners will select three additional subjects from one of three academic pathways: Arts and Sports Science, Social Sciences, or Science, Technology, Engineering, and Mathematics (STEM).
This contrasts sharply with the 8-4-4 system, where mathematics was a core requirement alongside English, Kiswahili, and at least two sciences (Physics, Chemistry, or Biology). Now, mathematics is an optional subject within the STEM pathway, which also includes Biology, Chemistry, Physics, General Science, and applied fields like Agriculture and Computer Science. The Ministry has set an ambitious goal for at least 60% of Grade 9 learners to pursue STEM when they enter senior secondary school in January 2026, though participation remains a choice.
Kipsang explained that the policy aims to give students and parents time to reflect on their interests. “We are allowing students to go home and consult with their parents before deciding what they want to pursue. The selection process will begin in the second term,” he told reporters. This window, starting after the first term, is intended to ensure informed decisions about academic and career paths.
Mixed Reactions Across the Nation
The decision has ignited a firestorm of reactions from educators, parents, and students alike. Proponents argue that it liberates learners who struggle with mathematics, allowing them to excel in areas like the arts or social sciences without the burden of a subject they may never use. “Not every child needs to be a mathematician,” said Jane Njoroge, a Nairobi-based teacher. “This opens doors for creative talents that were stifled under the old system.”
Critics, however, warn that dropping mathematics as a compulsory subject could erode critical thinking and problem-solving skills essential in a modern economy. “Developed countries are doubling down on STEM, while we’re making it optional,” lamented Edwin Hinda, an education commentator, echoing sentiments shared on social media platforms like X. Others fear it could widen socioeconomic gaps, as students from under-resourced schools might opt out of STEM fields—often gateways to lucrative careers—due to limited exposure or support.
A post on X by user @InfinitelyDean
captured the concern: “By relegating math to an elective, Kenya risks shutting many students, particularly those with fewer resources, out of future-focused fields, compounding existing disparities.” The sentiment reflects a broader anxiety about whether the policy might inadvertently limit opportunities for the next generation.
A Vision for Diversity and Flexibility
To address such concerns, the Ministry has mandated that all senior secondary schools offer at least two pathways, with STEM being a required option alongside either Social Sciences or Arts and Sports Science. “Doing a STEM pathway doesn’t mean children are forced to take it—it simply means it’s available,” Kipsang clarified. This approach aims to balance flexibility with access, ensuring students can still choose mathematics and sciences if they align with their goals.
The Arts and Sports Science pathway includes subjects like Fine Arts, Music, Theatre, and Sports, while Social Sciences offers History, Geography, Business Studies, and Religious Education options. The STEM pathway, meanwhile, remains a cornerstone of the Ministry’s vision to drive innovation and technological advancement, even as it becomes optional for individual learners.
What Lies Ahead
As Grade 9 students prepare to select their subjects and schools in the coming months, the Kenya National Examinations Council (KNEC) has outlined how their transitions will be assessed. The final Grade 9 score will combine 60% from the national Kenya Junior School Education Assessment (KJSEA), 20% from internal teacher assessments, and 20% from primary school performance. This score will partly determine senior school placements, with a cap of five students per junior school advancing to the same senior institution to promote diversity.
The move has left Kenyans pondering its long-term impact. Will it empower students to chase their passions, or will it weaken the nation’s competitive edge in a globalized world? For now, the CBC’s bold experiment is underway, and all eyes are on the pioneer class of 2025 as they chart a new course in Kenya’s educational landscape.
From Local to Global: a Hustler’s Journey in Kenya’s Digital Economy
The Kenyan government has recognized the pivotal role of digitalization in its economic strategy. Both Kenya Vision 2030 and the Bottom-Up Economic Transformation Agenda (BETA) emphasize the integration of digital technologies into key sectors to drive growth. This commitment has led to significant advancements in the country’s digital economy and innovation sector.
There are an abundance of stories that sum up the growth in this area. One particularly inspiring story is that of Linet, a talented artisan in Limuru, known for her exquisite handcrafted Swahili jewelry and vibrant kikoy fabrics. Her small workshop, tucked away in a bustling corner of the town, was filled with the rhythmic sounds of her craft. She dreamed of sharing her creations with a wider audience, but her reach was limited. Customers mainly consisted of locals and the occasional tourist who stumbled upon her shop. The vibrant colors and intricate designs of her products were admired by those who saw them, but Linet knew there was a bigger market waiting. She struggled to find ways to connect with customers beyond Limuru, and the thought of expanding her business felt like a distant dream.
Then came a turning point. The Kenyan government, recognizing the prime importance of the digital economy, launched free Wi-Fi initiatives in Limuru to improve internet connectivity and digital literacy. Linet , eager to seize this opportunity, enrolled in a digital training program. She learned how to navigate the online world, create an online presence, and market her products effectively. With her newfound skills and improved internet access, Linet launched her online shop. She carefully photographed her jewelry and fabrics, creating an inviting virtual storefront that showcased the beauty and artistry of her work.
The response was overwhelming. Orders started pouring in from different cities across Kenya. Kenyans in Nairobi, Kisumu, and even remote towns discovered Linet’s creations. The unique blend of tradition and artistry in her products resonated with people from all walks of life. But it didn’t stop there. Through her online marketing efforts, Linet began attracting international attention. Tourists who had visited Kenya and fallen in love with Swahili crafts were thrilled to find her online. Soon, her handcrafted jewelry and kikoy fabrics were being shipped to customers in Europe, North America, and beyond. Linet’s business flourished. She hired more artisans, expanded her workshop, and invested in better equipment. Her dreams, once confined to her small shop in Limuru, had become a reality, thanks to the power of digital technology and the supportive initiatives of the Kenyan government.
American Influencer Woah Vicky Spotted in Umoja, Sparking Online Buzz
American social media influencer and rapper Victoria Rose Waldrip, better known as Woah Vicky, has once again captured the internet’s attention, this time with an unexpected appearance in Umoja, a residential estate in Nairobi, Kenya. The 25-year-old star, renowned for her controversial online persona and recent travels across Africa, was reportedly sighted over the weekend, igniting a flurry of speculation and excitement among fans and locals alike.
Woah Vicky, who celebrated her 25th birthday just days ago on March 7, has been documenting her African adventures in 2025, with previous stops in Nigeria and Tanzania making headlines. Her latest sighting in Umoja, however, came as a surprise to many. Posts circulating on X noted her presence in the area, with one user humorously remarking,
Woah Vicky in Umoja was not on my 2025 bingo card
reflecting the unexpected nature of her visit. Another post jokingly suggested she was “hiding in Umoja” to escape a rumored rivalry with fellow internet personality Lil Tay—a claim that remains unsubstantiated but has fueled online chatter nonetheless.
Details of her visit remain scarce, but local sources claim Vicky was seen engaging with residents and exploring the vibrant community. Umoja, known for its lively atmosphere and close-knit neighborhoods, contrasts sharply with the glamorous settings Vicky typically showcases on her TikTok, where she boasts 9 million followers. Videos allegedly snapped by onlookers show her in casual attire, posing with a group of young fans near a local market, though no official confirmation has surfaced from her social media channels as of Monday afternoon.
@eastlandpresident More blessings @woahvickyy happy birthday my G #Believe ♬ In Da Club – 50 Cent
This isn’t Vicky’s first brush with East Africa. Earlier this year, she shared stunning bikini shots from Tanzania, highlighting her time on the coast and a safari excursion. Her presence in Kenya now raises questions about whether she’s expanding her travel itinerary or perhaps collaborating with local influencers or artists. Some speculate she might be in the region to connect with Kenyan musician Ringtone Apoko, whom she was rumored to have met during a previous visit in February—rumors she later dismissed, asserting she was “single” and jokingly claiming to have “20 boyfriends” across Africa.
Woah Vicky’s African ventures have not been without controversy. In late 2024, she faced backlash after faking her own kidnapping in Nigeria, a stunt she admitted was a “joke” born out of boredom. The incident drew sharp criticism for trivializing serious issues, though she issued an apology to her followers. More recently, her observations about poverty and hunger in Nigeria during a January 2025 visit to Lagos sparked mixed reactions—some praised her for highlighting social issues, while others accused her of oversimplifying complex challenges.
Her appearance in Umoja has already begun trending on X, with fans debating her motives. “Is she here for a music video, a collab, or just vibes?” one user pondered, while another quipped, “Woah Vicky in Umoja means 2025 is officially wild.” The influencer’s knack for stirring conversation seems intact, regardless of her intentions.
As of now, Vicky has not commented publicly on her Umoja visit. Her team has remained silent, leaving room for speculation to grow. Whether this is a spontaneous detour or part of a larger plan—perhaps tied to her music career or her skincare brand, Woah Skin—remains to be seen. For now, residents of Umoja and her global fanbase are left buzzing, eagerly awaiting her next move.
Nyanza Region Poised for Unprecedented Growth and Development
Massive investments in infrastructure, water, housing, and energy signal a new era for the region.
The Nyanza region is on the cusp of a major transformation thanks to an ambitious development agenda spearheaded by President Ruto. This initiative marks a significant shift towards inclusivity, aiming to rectify decades of marginalization and neglect.
Key Projects and Achievements:
- Infrastructure: Extensive road networks have been completed in Homa Bay and Siaya, enhancing connectivity and boosting trade.
- Water and Sanitation: Water projects across the region are providing clean water to hundreds of thousands of residents, improving public health and quality of life.
- Housing and Trade: New markets, bus parks, and affordable housing units are being constructed, creating jobs and stimulating economic growth.
- Energy: Solar mini-grids and transmission lines are expanding electricity access, powering homes and businesses.
- Agriculture: Irrigation schemes and processing plants are revitalizing the agricultural sector, enhancing food security and creating new opportunities for farmers.
These are just a few of the many projects underway in the Nyanza region. The government’s commitment to development is unwavering, with plans to launch even more initiatives in the coming years.
A New Era of Inclusivity:
This development agenda is not just about bricks and mortar. It’s about building a more inclusive and equitable society where everyone has the opportunity to thrive. The future of Kenya is not possible without repairing the 60 years systemic social, political and economic challenges and injustices.
The people of Nyanza have spoken, and they want President Ruto and former Prime Minister Raila Odinga to continue working together for the sake of development and equity. This partnership is a beacon of hope for the region, signaling a new era of progress and prosperity.
A more detailed breakdown of the development agenda can be found below:
| COUNTY | PROJECTS |
|---|---|
| OWALO |
|
| HOMA BAY |
|
| SIAYA |
|
| KISUMU |
|
| MIGORI |
|
Stop Enriching Your Landlord! 5 Reasons to Buy Your Own Affordable House
1. Renting Is Like Throwing Money Down the Toilet
Your landlord’s laughing all the way to the bank while you flush
2. Go from paying someone else’s mortgage to paying your own.
It’s the same amount of money, but now you’re allowed to complain about it
3. Renting was like dating a house. Owning is like being married.
Now I can finally leave my dirty socks on the floor
4. I used to dream of homeownership.
Now I mostly dream of home repair
5. Renting: paying for the right to live somewhere.
Owning: paying for the right to stress about living somewhere.
#RadaYaNyumba? Secure your future now by going to bomayangu.co.ke to start your homeownership journey
Social Media Couple Frank Doso and Lydia Wanjiru Continue Their Dramatic Split
Popular Kenyan content creators Lydia Wanjiru and Frank Doso have ended their relationship, leaving fans shocked. The breakup follows allegations of Frank Doso’s infidelity.
Wanjiru announced the split on social media, hinting at deep disappointment and disgust without directly detailing the cause. She stated she’s experienced heartbreak before and is not emotionally invested enough to be deeply hurt this time, just disappointed. She directed those seeking details to search online, implying information is already circulating.
Doso, seemingly confirming the rumors, publicly apologized to Wanjiru, admitting his mistakes and expressing his desire to reconcile. “I’m sorry, I make mistakes, but I love you so much and I don’t wanna lose you,” he wrote. In another post, he added, “Never fumble because of greed and lust to lose something permanent,” suggesting his actions were driven by temptation.
The couple has also unfollowed each other and deleted their shared photos and videos from social media.
The online reaction has been varied. Some users expressed sympathy for Doso’s apparent remorse, while others criticized the couple for airing their relationship drama publicly. Many commented on the irony of a relationship advice giver facing infidelity. Others questioned the trend of public breakups, suggesting such matters should remain private. Several users also used the opportunity to joke about the situation.
Africa’s Beats Are Owning the Global Music Spotlight
Africa’s music scene is no longer just a regional sensation, it has become the pulse of global pop culture.
As African music continues to enchant global audiences, Spotify Wrapped 2024 unveils the diverse range of genres that people now enjoy all over the world. While Afrobeats and Amapiano often dominate headlines, this year’s Wrapped data sheds light on other emerging sounds that define Africa’s music.
Reimagined histories
Hiplife and Highlife from Ghana, rooted in the country’s rich cultural history, remain highly exported due to their fusion of traditional Highlife melodies with contemporary beats that keep them globally relevant.
Artists like King Paluta, Fameye, and KiDi are leading the way in blending traditional Highlife melodies with modern sounds. Fameye’s Very Soon and King Paluta’s Aseda—a heartfelt song of gratitude—are examples of how the genre is evolving. Their fresh take on Highlife has helped drive a 54% increase in global streams, a sign of the genre’s appeal to both local and international audiences.
In Kenya, Arbantone, mainly characterized by beats from samples of Kenyan old school hits. This sound combines elements of Gengetone and old Jamaican riddims, led by a wave of young, rappers who bring the raw lyricism of Gengetone. Captivating young audiences, Arbantone is quickly rising on local music charts.
Arbantone grew significantly in 2024, partially thanks to viral dance challenges on social media. Artists like Dyana Cods’ “Set It”, harnessed the genre’s infectious beats and catchy lyrics to connect with her fans. The song became one of the most popular Arbantone tracks in Kenya, securing the number 3 most streamed Arbantone track in Kenya as revealed by the 2024 Spotify Wrapped data.
Embracing experimental sounds
Nigeria’s Alté is becoming more popular abroad where it’s now the country’s fourth-most exported genre in 2024. Pronounced “uhl-teh”, a shorthand for alternative, you may have heard the experimental mix of Afrobeats, R&B, and hip-hop, with electronic influences on tracks like Soh-Soh by Odeal or Amaarae’s Wanted. The likes of Amaarae, Lady Donli and Odunsi (The Engine) paved the way for a new generation of artists like DEELA, DETO BLACK and brazy to tap into Alté’s rebellious, bold and unconventional brand of self-expression. The global success of Alté-influenced musicians like Tems, Rema and Odeal symbolises how the genre is taking its place in mainstream music culture. Countries like Ghana have embraced the sound with over 60 billion Spotify streams, and Alté now has 41% more global plays than it did a year ago.
South Africa’s Afro House, known for its deep rhythms and soulful vocals, has become a favourite in electronic music circles around the world. DESIREE and DJ Shimza have been instrumental in influencing the growth of Afro House. DESIREE sets blend African rhythms with modern electronic sounds, while DJ Shimza’s electrifying global performances have propelled the genre to new heights. As more artists from around the world incorporate African sounds into their music, the genre has influenced global dance floors.
Household names
Afrobeats continues to lead Africa’s music revolution, evolving rapidly and driving the movement forward. In 2024, the genre saw a significant 28% increase in global streaming. Tracks like Santa by Ayra Starr, Rauw Alejandro, and Rvssian highlight the genre’s versatility, while Calm Down by Rema and Selena Gomez underscore its widespread international appeal. Collaborations like Skillibeng and Tyla’s Jump, Gunna showcase Afrobeats’ adaptability and its growing dominance on global charts.
Amapiano, meanwhile, has emerged as Africa’s fastest-growing genre, with a phenomenal 59% increase in global streaming in 2024. Another sign that the future of global music will undoubtedly feature even more beats, grooves, and melodies from the continent.
KCSE 2024 Results Day Chaos Due to Website Outages
The much-anticipated release of the 2024 Kenya Certificate of Secondary Education (KCSE) examination results was overshadowed by significant technical glitches, as the Kenya National Examinations Council (KNEC) website crumbled under the weight of eager students and parents trying to access their scores.
The Day’s Events
Education Cabinet Secretary Julius Migos Ogamba announced the results at 12:00 PM from Mitihani House, Nairobi, revealing that a record 965,512 candidates had sat for the exams. With the promise of immediate online access to individual results, candidates rushed to the KNEC portal at https://results.knec.ac.ke. However, the system failed spectacularly, displaying error messages like “This page isn’t working” and “This site can’t be reached,” leaving many in a state of confusion and frustration.
Public Reaction and Social Media Outcry
Social media platforms quickly filled with posts expressing disappointment and frustration over the inaccessible website. X (formerly Twitter) users reported the portal being down for hours, with some humorously suggesting that the high volume of requests must have broken the internet ().
The public’s reaction was not just about the inconvenience but also the anxiety of waiting to know their academic fate, which for many, determines their next educational or career step. Parents, students, and educators alike took to the internet to voice their concerns, with some demanding accountability from KNEC for the unpreparedness of the system for such a critical day.
KNEC’s Response
In response to the outcry, KNEC issued statements acknowledging the issue. They attributed the website crash to an unprecedented number of requests, with the portal receiving up to 300,000 hits per second. The council recommended patience, assuring users that the website was operational but struggling with the load. They also provided alternative contact methods, including toll-free numbers 0800724900 and 0800721410, for those unable to access the site.
KEMRI Announces Increase in DNA Test Charges for 2025
The Kenya Medical Research Institute (KEMRI) has recently announced a significant adjustment in the pricing of its DNA testing services, effective from January 2025. This change has sparked a mix of reactions among Kenyans, particularly those who might require these services for paternity, maternity, or family relationship testing.
New Pricing Details:
KEMRI’s Human DNA Identification Laboratory (HID) has increased the cost of DNA testing by Ksh7,000. The new price for these services will now be Ksh27,000, up from the previous Ksh20,000. This price adjustment was made public through a statement released on January 8, 2025, indicating a shift in what has been a relatively stable pricing structure for these services over the years.
Reasons Behind the Increase:
While KEMRI hasn’t detailed the specific reasons for the price hike, increases in operational costs, research and development expenses, or enhancements in the technology and precision of DNA testing could be possible factors. The HID Laboratory at KEMRI is known for its commitment to scientific excellence, providing services that meet international standards, which might also necessitate periodic price adjustments to maintain quality and accuracy.
Public Reaction:
The announcement has led to a flurry of discussions on social media platforms, with many expressing concern over the affordability of DNA testing. Some users on X have humorously suggested that the increase might push people to accept paternity without testing due to the cost. Others have debated the implications for child support cases, where DNA testing is often crucial. The sentiment ranges from acceptance of the price increase as a necessary adjustment to concerns about accessibility to these services for the average Kenyan.
Services Offered:
KEMRI’s HID Lab offers a variety of DNA testing services, including paternity testing, maternity testing, and tests for family relationships like siblingship and grandparentage. These services cater to both private individuals and court-referred cases, making them a pivotal resource in legal and personal contexts. The lab’s commitment to maintaining confidentiality and providing legal defensibility in DNA results continues to be a cornerstone of their service offering.
Impact on Accessibility:
The price increase could potentially affect the accessibility of DNA testing, especially for those seeking these services for personal knowledge or in legal disputes over child support where costs can be a significant barrier. This change might encourage more Kenyans to look for alternative, possibly less reliable, testing options or to forego testing altogether.
Looking Forward:
While the price adjustment is a current topic of discussion, KEMRI’s role in health research and forensic services remains vital. The institute continues to be a leader in DNA testing in the region, contributing to both national and international scientific communities. As such, future dialogues might revolve around subsidies, insurance coverage for DNA testing, or exploring more cost-effective methods without compromising the integrity of the testing process.
As the conversation about the affordability and necessity of DNA testing continues, it’s clear that KEMRI’s price adjustment will have a lasting impact on how these services are viewed and utilized in Kenya. Whether this leads to policy changes, alternative solutions, or simply a shift in public behavior regarding DNA testing remains to be seen.
PS Raymond Omollo on Bridging the Gap Between Traditional Education and Modern Career Paths
The digital age has officially thrown a wrench into the traditional career ladder, leaving parents everywhere scratching their heads and wondering where they went wrong. Forget doctor, lawyer, engineer – kids these days want to be YouTubers, influencers, and professional viral video reviewers. In a recent interview, Interior PS Raymond Omollo, a government official and a parent, bravely waded into this chaotic territory, offering some sage advice (and maybe a few nervous chuckles).
The central dilemma? How to deal with your child suddenly announcing they want to be the next MrBeast instead of, you know, a respectable accountant. “How do we bridge that gap?” PS Omollo pondered, “where parents start to open up and see opportunities that are unconventional in terms of education?” It’s a valid question. After all, explaining to your grandma that your career goal is “going viral” is a recipe for a very awkward Christmas dinner.
Dr. Omollo, ever the diplomat, stressed that education is still really important. “I think education still remains that big thing because without it, you actually lose the entire society,” he stated. Which, fair enough. We don’t want a society run entirely by people who can only communicate in emoji. However, he also wisely acknowledged that learning isn’t just about memorizing dates and formulas anymore. Thanks to the magic of the internet, you can now get a degree from a prestigious university while wearing your pajamas.
His advice for parents? Talk to your kids. Actually listen to them. Find out why they want to spend their lives filming themselves unboxing toys or whatever it is the kids are doing these days. As PS Omollo explained, using a very relatable personal anecdote: “I am a scientist, so why would I want my son or my daughter or my nephew or my niece to also be a scientist? Part of it will be maybe they need to look at how I do my things, how I carry myself, and then they were like, ‘Okay, I would want to be like you,’ or ‘I would want to be like so and so.’ And from there, then you can have a conversation on what it takes to get there.” So, basically, if your kid wants to be like you, you’re doing something right (or very, very wrong).
PS Omollo also gave a shout-out to educational institutions for trying to keep up with the times. They’re adding more practical learning, which is good news for anyone who’s ever wondered when they’d actually use algebra in real life. The goal, he says, is to let talented kids pursue their passions while still, you know, getting some kind of actual education.
But here’s the bottom line: while being open-minded is key, PS Omollo also emphasized the importance of parental guidance. “Not everything a child says we just have to accept it because the world has changed,” he wisely cautioned. “We must be able to insist on certain things, but with some level of measure.” So, maybe don’t let your kid drop out of school to become a professional video game streamer just yet. Unless, of course, they’re really good. Then, maybe… just maybe… you can start looking into sponsorship deals.
Grammys Reject Claim of $500 Million Payment from Kenyan Government
In a significant development that has sparked widespread debate and scrutiny, the Recording Academy, which organizes the Grammy Awards, has categorically denied receiving a payment of Ksh 500 million from the Kenyan government for the right to host the prestigious music event.
President William Ruto recently announced during a public address that Kenya had made a substantial financial commitment to host the Grammys, stating, “The money for the Grammys, we already paid… we already paid Sh500 million.” This claim, however, was swiftly refuted by the Recording Academy.
According to posts on X, the Recording Academy clarified that they do not accept payments from governments for hosting their events, highlighting their status as a nonprofit organization dedicated to recognizing artistic excellence rather than as a venue for financial transactions. This rebuttal has led to an uproar on social media platforms, with Kenyans questioning the transparency and accountability of their government’s spending.
The controversy has raised eyebrows over the use of public funds, with many Kenyans expressing skepticism and demanding clarity on where the alleged payment was directed if not to the Grammys. Discussions on X have been rife with terms like “corruption” and “accountability,” as citizens and political commentators alike call for an investigation into the government’s expenditure.
The Kenyan government has yet to respond to these allegations, but the incident has fueled existing tensions regarding governance and financial management. President Ruto’s administration had previously emphasized investments in the creative economy to position Kenya as a cultural and entertainment hub. However, this claim’s rejection has cast a shadow over those ambitions.
The situation has also spotlighted the broader issue of governmental transparency in Kenya, with many online voices urging for a thorough audit of public spending. This incident coincides with ongoing debates about the allocation of national resources, particularly in light of other pressing domestic issues like healthcare, education, and infrastructure.
As the debate continues, the Kenyan public remains eager for an explanation from their leaders, hoping for clarity on whether this was a misunderstanding, a misrepresentation, or an indication of deeper issues within the management of public funds. The rejection by the Grammys has not only embarrassed the administration but has also intensified calls for better governance and financial oversight.
This controversy underscores the importance of transparency in government dealings, especially when it involves significant sums of money intended for cultural or international prestige. The Kenyan populace, increasingly active on social media, is demanding answers, and the government’s next steps will be closely watched.
Love, Pain and Inspiration: Here Are The Topics Africa’s Podcast Community Loved in 2024
Podcasts are one of Africa’s favourite ways to tell stories. With almost 4 billion minutes of podcast audio played in Sub-Saharan Africa in 2024, the continent’s appetite for this content is loud and clear.
South Africa, Nigeria, and Kenya listened to the most shows this year, with South Africa contributing over two billion minutes. If you started playing podcasts on one device today, it would make for about 30 centuries of listening.
“The numbers don’t lie. Podcasting is here to stay because it lets creators take control of their narratives and tell these stories on their terms while bringing their community along for the journey,” says Ncebakazi Manzi, Spotify’s Sub-Saharan Africa Podcast Manager.
Podcasts are personal, but trends do exist across the continent’s leading markets and beyond.
Faith, spirituality and motivation through audio
Motivational shows around issues like managing finances, relationships, personal goals and health remain popular across the three leading countries. Shows like “The Diary Of A CEO with Steven Bartlett”, “Motivation Daily by Motiversity” and “The Success Addicted Podcast” have attracted listeners who want to get their lives in order and learn from the stories of inspirational people.
Audiences in Nigeria and South Africa embrace shows about spirituality. “Christian Motivation” had one of the most shared episodes in South Africa while “Apostle Joshua Selman” maintained his popularity in Nigeria for another year. As the continent’s second-largest podcast market, Nigeria listened to 700 million minutes in 2024 and it created half of the new shows published in Sub Saharan Africa this year.
Even though spirituality dominated Nigeria’s top charts, the continued popularity of shows like “I Said What I Said” and “The HonestBunch Podcast” tell us that listeners also want conversation-style shows. Listeners in Kenya and South Africa also showed an affinity toward these shows.
A good laugh with friends
The “ShxtsnGigs” podcast, an opinion show hosted by two best friends James and Fuhad, tapped into audiences’ hunger for conversational shows. The humorous podcast has made its way to the top charts in six of the top 10 podcast-playing African countries. In Kenya, The 97s Podcast has been inspired by this approach where funny and frank chats between hosts Trevor, Frank and Dante have led the podcast to take the number-one spot in the country for the first time.
Kenya’s broader listening data shows that relationships are a meaningful taking point. Seven of the 10 most shared episodes in the country discuss love, sex lives and dating. Julia Gaitho’s “So This Is Love” holds three out of the top five most shared podcast episodes in the country. Her interviews resonated because she draws lessons from her guest’s stories about lost lovers.
Some listeners just wanted to laugh through the pain. Ensemble shows like “Mic Cheque Podcast” and “The Sandwich Podcast” made Kenyans feel like they were hanging out with a close circle of friends. When difficult topics come up, moments of infectious laughter help lighten the mood.
Women creators like Murugi Munyi, Julia Gaitho, Sharon Machira and Lydia K.M. take this comedic approach to a new level on shows like “The Messy Inbetween” and ‘It’s Related, I Promise’. This genre contributed heavily to the country’s 400 million podcast minutes streamed in 2024.
The Tragedy at Zetech University: A Wake-Up Call for Change
In the quiet morning of December 11, 2024, the academic community of Zetech University was shaken by the heart-wrenching news of a student, Ryan Kitari, taking his own life. This incident not only leaves a void in the lives of those who knew him but also casts a long shadow over the systemic issues within our educational institutions that demand urgent attention.
Ryan, a 21-year-old student, was found dead in his apartment in Witeithie, Nairobi. In a poignant and revealing suicide note shared through his social media, he detailed his struggles with financial hardships, academic pressure, and personal traumas. His note highlighted a failing system where students, particularly those from less privileged backgrounds, are pushed to their limits without adequate support. He pointed fingers at a lecturer, blaming her for his academic setbacks, which he felt were unjust and contributed significantly to his despair.
This tragedy underscores several critical points about the state of mental health and student support in higher education:
The Pressure of Perfection
The narrative of success in academia often revolves around perfection and relentless achievement. For many students, like Ryan, the pressure to excel academically while managing personal and financial challenges can be overwhelming. The educational system must recognize that students are not just academic beings but individuals with complex lives outside the lecture halls.
Inadequate Support Systems
Ryan’s case brings to light the dire need for robust mental health support systems in universities. While many institutions have counseling services, the availability, accessibility, and effectiveness of these services are often questioned. There’s a pressing need for universities to not only have these services but to ensure they are proactive, visible, and culturally sensitive to the diverse student body they serve.
The Role of Educators
The accusation against the lecturer in Ryan’s note cannot be ignored. Educators hold significant power in shaping the academic journey and, by extension, the mental health of students. There should be a continuous evaluation of teaching practices, ensuring that they do not inadvertently become barriers to learning but instead foster an environment where every student can thrive.
Financial Struggles
Ryan’s situation also points to the broader issue of financial stability for students. The cost of education, combined with living expenses, often leaves students in precarious financial positions. Universities, alongside government bodies, need to explore and implement more comprehensive financial aid options, work-study programs, and emergency support systems to alleviate the burden on students.
The Stigma of Seeking Help
There’s an undercurrent of stigma associated with mental health issues, making students hesitant to seek help. Universities must cultivate an environment where discussing mental health is normalized, and seeking assistance is seen as a strength, not a weakness.
In the aftermath of this tragedy, Zetech University and indeed all institutions of higher learning must look inward. This isn’t just about one student’s story; it’s a clarion call for systemic change. We must ask ourselves:
-
Are we providing an environment where students can voice their struggles without fear of retribution or failure?
-
How can we better integrate mental health education into our curricula to prepare students for life’s challenges?
-
What measures can we take to ensure that no student feels so cornered by academic or personal issues that suicide seems the only escape?
Ryan’s story should not be the end but the beginning of a conversation, of reform, and of a collective commitment to safeguarding the mental well-being of every student. It’s a call to action for universities, educators, policymakers, and society at large to rethink how we support our youth through the transformative years of higher education. Only then can we hope to prevent such tragedies from recurring, ensuring that our campuses are places of learning, growth, and, above all, safety.
Google Unveils Kenya’s Year in Search 2024
Google has released its Year in Search 2024 report, highlighting the topics that captured Kenyans’ attention throughout the year. The annual analysis sheds light on the trending searches and offers insights into what people sought to learn, explore, and experience.
From major events like SHA, the Finance Bill 2024, and the US Elections to trending figures such as Gachagua, Rebecca Miano, and Soipan Tuya, alongside global phenomena like the Olympics and Euro 2024, these searches reflect the issues that resonated most with Kenyans.
Top Trending Topics in Kenya
Key searches included SHA, Gachagua, Vybz Kartel, Brian Chira, AFCON, Supacell, and “Anguka Nayo” lyrics.
Trending News
SHA dominated the news category as Kenyans showed interest in the new Social Health Authority, which replaced the NHIF. The Finance Bill 2024 also sparked significant debate, especially among younger Kenyans, leading to widespread protests and eventual withdrawal by the government. The US Elections 2024 ranked third, reflecting global political interest.
Top 10 Trending News:
- SHA
- Finance Bill 2024
- US Elections 2024
- Gachagua Impeachment
- Haiti
- Cyclone Hidaya
- Starlink Kenya
- Gen Z
- SHIF
- Ford Foundation
Trending Local Personalities
Former Deputy President Gachagua led the list after his impeachment captured national attention. He was followed by Rebecca Miano, the Cabinet Secretary for Tourism and Wildlife, and Soipan Tuya, the Cabinet Secretary for Defence.
Top 10 Local Personalities:
- Gachagua
- Rebecca Miano
- Soipan Tuya
- Noordin Haji
- Kindiki
- Robert Nagila
- Kawira Mwangaza
- Jimmy Wanjigi
- John Mbadi
- Mutuse
Trending Global Personalities
Jamaican reggae star Vybz Kartel topped the list of global personalities, followed by US President-Elect Donald Trump and televangelist Benny Hinn, who made headlines with his “Healing the Nation” crusade in Nairobi.
Top 10 Global Personalities:
- Vybz Kartel
- Donald Trump
- Benny Hinn
- Kamala Harris
- Baltasar Engonga
- Joe Biden
- Diddy
- Bonny Mwaitege
- King Charles
- Katt Williams
Trending Losses
The passing of content creator Brian Chira, who died in a hit-and-run accident, was the most searched loss in Kenya. Other notable searches included actor Charles Ouda and journalist Rita Tinina.
Top 10 Trending Losses:
- Brian Chira
- Charles Ouda
- Rita Tinina
- Kelvin Kiptum
- Fred Omondi
- Allan Kiuna
- Mr. Ibu
- Njambi Koikai
- Lizzie Wanyoike
- Peter Morgan Heritage
Local Filmmaker Scores 1.5m with His Short Film
Kenyan filmmaker Omar Kibulanga has recently clinched two significant awards for his short film pitch, Makonde. The film, which tells the story of a stateless Makonde orphan’s struggle for survival and his community’s fight for recognition, was one of 12 projects selected from a pool of 60 at the Some Fine Day Pix awards ceremony.
Kibulanga, a former journalist, received a $10,000 grant from Some Fine Day Pix to produce Makonde. This followed an earlier win at the Alliance Française Sinema Mtaani Short Film Grant, which awarded him Sh250,000 in equipment and post-production support.
Some Fine Day Pix, a platform dedicated to nurturing East African filmmakers, hosted a two-day pitching session in Nairobi where 60 aspiring filmmakers presented their projects to a jury. In addition to the 12 winning pitches, five other teams received funding to develop innovative distribution and marketing strategies for their films.
Kenya’s Streets Echo with Calls to End Femicide
Today, Nairobi and several other Kenyan cities became the epicenter of a renewed push against femicide as thousands marched in the ‘End Femicide’ demonstration. This event, marking the conclusion of the 16 Days of Activism against gender-based violence, turned into a poignant display of solidarity, demand for justice, and a stark reminder of the ongoing battle against violence targeting women.
A Day of Peaceful Protest and Police Response
The march commenced with a clear message: the end of femicide must be prioritized. Protesters, including activists, journalists, and concerned citizens, carried placards with slogans like “We Are Human Beings,” “Say Their Names,” and “Stop Killing Us!” The atmosphere was charged with a mix of resolve and grief, fueled by the memory of numerous women who have fallen victim to gender-based violence.
However, the day’s events took a dramatic turn when Nairobi police resorted to using tear gas to disperse the crowd. Reports from various sources, including posts on X, confirmed that several journalists and activists were injured, and arrests were made. This response from law enforcement has reignited debates about the right to peaceful assembly and the government’s approach to protests, especially those demanding women’s rights and safety.
The Backdrop of Rising Femicide
The urgency of these protests stems from a disturbing trend of femicide in Kenya, with at least 500 women and girls murdered since 2016. This year alone, the beginning of January saw at least 10 women killed, highlighting an alarming rise in such incidents. The march today was not just about those numbers but about every woman who has been silenced, every family left in mourning, and every community shaken by these losses.
Demands and Solidarity
Participants of the march called for immediate governmental action. Their demands included:
-
Legal Recognition of Femicide: Advocates are pushing for femicide to be recognized as a separate crime, which would facilitate specific legal measures and penalties.
-
Data Collection: An emphasis on collecting accurate data on femicides to better understand and combat the issue.
-
Judicial Expedience: Calls for faster judicial processes for cases of violence against women to deliver timely justice.
-
Cultural and Normative Change: A broader societal shift to challenge and change norms that perpetuate violence against women.
The solidarity shown today was not just among women but included men who marched to denounce the violence, signaling a collective societal stand against femicide. However, the police’s use of force has cast a shadow over this solidarity, prompting further criticism of how the Kenyan government handles public demonstrations advocating for women’s rights.
The Path Forward
Despite the violent turn of events, the march has underscored the persistent and urgent need for change. It has highlighted the gap between existing legal frameworks and their enforcement, the need for systemic reforms, and the importance of community and governmental commitment to ending gender-based violence.
The dialogue sparked by today’s march must continue, pushing not only for immediate action but also for a long-term strategy involving education, legal reform, and cultural shifts. The government’s response to the protests today has added another layer to this ongoing discourse, emphasizing the need for dialogue, accountability, and respect for constitutional rights to peaceful assembly.
In Conclusion
Today’s ‘End Femicide’ march in Kenya was meant to be a peaceful call for justice and change. Instead, it turned into a battleground where the rights to protest and freedom of expression were challenged. As Kenya reflects on the events of December 10, 2024, the focus must remain on ensuring that such demonstrations lead to tangible steps towards ending femicide, protecting women, and fostering a society where gender-based violence is not just condemned but eradicated.
Affordable Housing in Kenya: A New Dawn for Homeownership
So, the government’s got this grand plan to give everyone a house. Like, everyone. Even your neighbor who’s always borrowing your sugar. It’s called the Affordable Housing Program, or AHP for short.
Imagine this: You, a regular Kenyan, owning a house. Not just any house, but a house that won’t break the bank. It’s like a dream come true, right? Well, the government seems to think so too.
They’ve got these fancy names for the houses: Social Housing, Affordable Housing, and Affordable Middle-Class Housing. It’s like a housing buffet, but instead of food, it’s houses.
But let’s be real, getting a house in Kenya isn’t as easy as ordering pizza. You’ve got to jump through hoops, fill out forms, and maybe even sacrifice a goat to the housing gods. Just kidding (mostly). You just need to be a Kenyan citizen and have a Huduma Namba.
So, if you’re tired of paying rent and dreaming of owning your own little piece of paradise, the AHP might be your ticket to homeownership. Just remember, patience is key. And maybe a little bit of luck.
After all, who knows? You might just end up with a house with a view of the city skyline. Or maybe just a decent roof over your head. Either way, it’s a step in the right direction.
To be eligible for the AHP, Kenyan citizens must meet specific income criteria and be registered on the Huduma Namba platform. Interested individuals can apply online through the Boma Yangu portal or by dialing *832#.
Remember, your dream home is just a few clicks away! Dial *832# or go to the Boma Yangu portal to apply
Exploring Art and Heritage at the Kenya Ministry of Foreign Affairs Open Day
The Kenya Ministry of Foreign and Diaspora Affairs recently hosted an Open Day, an event that transcends mere bureaucratic openness to become a vibrant celebration of Kenyan and broader African cultural heritage. This initiative, part of broader efforts to engage with the public and promote cultural diplomacy, offered a unique glimpse into the artistic and historical treasures that define Kenya’s rich cultural tapestry.
A Showcase of Cultural Diversity
Kenya, known for its diverse ethnic communities, each with unique art forms and traditions, used this platform to highlight its cultural wealth. The event featured:
Traditional Artifacts: Visitors could explore an array of traditional Kenyan artifacts. From the intricate beadwork of the Maasai to the wooden carvings representing various Kenyan tribes, these pieces were not just art; they were stories carved in wood, shaped in metal, and woven in threads, narrating the history and daily life of Kenya’s people.
Historic Documents and Memorabilia: The Ministry displayed items from the National Archives, including documents from key historical moments. Letters, speeches, and photographs of notable figures like Mzee Jomo Kenyatta and other leaders provided a historical context, offering insights into Kenya’s journey from colonial times to independence and beyond.
Contemporary Kenyan Art: Modern interpretations by Kenyan artists were showcased, illustrating the dynamic evolution of art in Kenya. This included works that reflected current societal issues, blending traditional elements with contemporary expressions. The Kenyan art scene’s vitality was palpable, showcasing talents that are gaining international recognition.
Cultural Performances
Music and Dance: Live performances added a dynamic layer to the event. Traditional music from different regions of Kenya filled the air, complemented by dance performances that were both a spectacle and an educational experience. These performances not only entertained but also educated attendees about the cultural significance of various dances and musical styles.
Artistic Dialogues: Discussions and workshops on the role of art in diplomacy and cultural exchange were held, emphasizing how art serves as a bridge between cultures, fostering understanding and cooperation. This was particularly poignant in the context of the Ministry’s role in international relations.
Heritage Conservation Initiatives
The event was not just about display but also about discussing the preservation of cultural heritage. There were talks on:
Conservation Efforts: The importance of preserving both tangible and intangible cultural heritage was a focal point. The Ministry, along with partners like the National Museums of Kenya, highlighted ongoing projects aimed at conserving sites like the Gede ruins or the Swahili architecture of Lamu, recognized by UNESCO.
Cultural Education: Programs aimed at educating the younger generation about their heritage were promoted, ensuring that the legacy continues and evolves with time. This included mobile apps and digital exhibitions, making cultural heritage accessible to everyone, especially in light of technological advancements.
Public Engagement and Diplomacy
The Open Day served as a platform for:
Diaspora Engagement: Recognizing the Kenyan diaspora’s role in cultural preservation, the event provided a space for community members to reconnect with their roots, fostering a sense of pride and belonging.
International Visitors: Foreign diplomats and tourists were among the attendees, providing an opportunity for cultural exchange. The Ministry used this event to highlight Kenya’s soft power through its cultural heritage, aligning with global initiatives like UNESCO’s cultural preservation efforts.
Conclusion
The Kenya Ministry of Foreign and Diaspora Affairs’ Open Day was more than an event; it was a statement on the importance of culture in national identity and international diplomacy. It celebrated Kenya’s history, its artistic evolution, and its commitment to preserving this heritage for future generations, while also inviting the world to share in this rich cultural dialogue. This celebration underscored that in Kenya, culture is not just preserved; it’s alive, vibrant, and woven into the fabric of national and international identity.
The Ministry of Foreign Affairs’ Open Day in Pictures
Today’s event at the Ministry of Foreign and Diaspora Affairs in Kenya was an open day celebrating 60 years of Kenya’s Diplomatic journey. The Ministry organized an event where the public could engage with diplomats, ask questions about Kenya’s diplomatic activities, and participate in workshops aimed at young Kenyans. This initiative is part of the broader effort to mark six decades of Kenyan diplomacy, highlighting its journey and missions abroad. Here is a pictoral essay of how everything went down:
Kenyan Model Teddy Rossiter Makes History at Mr. World 2024
Kenya is celebrating a major win! Teddy Rossiter, our very own Mr. World Kenya, has made history by securing a Top 8 position and the title of Mr. World Africa Runner-Up at the prestigious Mr. World 2024 competition held in Vietnam.
Teddy’s impressive performance has put Kenya on the global map of male pageantry. He was a standout in various categories, including:
- Top 3 People’s Choice Award: A testament to his popularity and charisma.
- Only African Swimsuit Finalist (Top 15): A historic achievement showcasing his physique and confidence.
- Top 10 Marathon Finalist: Proving his physical endurance and athletic prowess.
- Top 12 Top Model Finalist: Impressing the judges with his runway skills.
- Talent Finalist: Showcasing his unique talents and creativity.
- Top 20 National Costume Finalist: Representing Kenya’s rich culture and heritage.
- Top 20 Dances of the World: Demonstrating his dance skills and energy.
Teddy’s journey has been truly inspiring, and his success reflects the growing talent and potential of Kenyan models on the international stage. As we eagerly await the final results of the Mr. World 2024 competition, we extend our heartfelt congratulations to Teddy Rossiter for making Kenya proud!