Bien vs Otile Brown: Kenya’s Music Feud That’s More Than Just Personal

The ongoing clash between Kenyan music titans Bien-Aimé Baraza and Otile Brown has captured the attention of fans and industry watchers alike. What began as a series of online jabs has evolved into a full-blown public rivalry, underscoring not only personal differences but also a fierce competition for digital supremacy.

Now, beyond the insults and social media theatrics, fans are asking: Who’s really on top?


Manager Quits, Bien Shades, Otile Strikes Back

The latest chapter in the feud began in late July when Mumbi Maina, Otile Brown’s long-serving manager, resigned from her role. Seizing the moment, Bien—renowned for his work with Sauti Sol and recently named Spotify’s most-streamed Kenyan artist of 2024—posted a video of his hit song “All My Enemies Are Suffering.” The track, already viral, was widely interpreted as a subtle jab at Otile.

Otile didn’t hold back. On July 28, he blasted Bien on Instagram, calling him “a loudmouth,” “fake,” and “desperate for relevance.” According to Otile, Bien thrives on drama and TikTok trends rather than on making meaningful music.

“He’s chasing clout, not legacy,” Otile fumed, accusing Bien of prioritizing controversy over artistry.


Who’s Winning Online? Let the Numbers Speak

As the war of words escalates, digital metrics offer a clearer picture of the artists’ influence. Here’s a snapshot as of July 30, 2025:

Spotify Streams

  • Bien: 70 million+ streams across solo and collaborative tracks. Strong international presence in Kenya, Nigeria, and the UK.

  • Otile Brown: 62.6 million streams, a remarkable feat for a fully independent East African artist.

YouTube (Official Channels Only)

  • Bien

    • Subscribers: 393,000

    • Total views: 54 million

    • Top songs: “Too Easy” (12.3M), “Lifestyle” (4.5M), “Safari” (4.4M)

  • Otile Brown

    • Subscribers: 1.6 million

    • Total views: 456 million

    • Top songs: “Dusuma” (42.7M), “Chaguo La Moyo” (32.4M), “One Call” (30.9M)

Instagram Followers

  • Otile Brown: 2.2 million

  • Bien: 863,000

Clearly, Otile dominates on YouTube and Instagram, while Bien holds the Spotify crown and broader global reach.


Fans React: Team Bien or Team Otile?

Online reactions have been split, ranging from pure entertainment to exasperation.

  • @KenyaBeatz: “Otile dragging Bien for attention-seeking is wild! Both need to focus on music #BienVsOtile.”

  • @NairobiVibes: “Bien’s ‘Enemies’ shade was savage, but Otile’s comeback? Personal! #MusicBeef.”

  • @TrollHunterKE: “Can we get a collab instead? Bien vs Otile is the drama we didn’t ask for.”

Fan loyalties are clear:

  • @CoastMelody: “Bien’s streams prove he’s got the edge. Otile’s just salty #TeamBien.”

  • @MusicLoverKE: “Otile’s right. Bien’s everywhere lately. Let’s see who really delivers the next hit #TeamOtile.”


Feud or Strategy? Analysts Weigh In

According to a K24 Digital report on July 29, this clash might be less about real animosity and more about strategic branding. With both artists navigating different phases of their careers—Bien post-Sauti Sol and Otile as a solo act—the drama could be fueling engagement and streaming numbers.

So far, neither artist has walked back their comments, keeping fans on edge for the next round.


A Call for Unity in Kenyan Music

Amid the spectacle, many fans are calling for reconciliation.

  • @JusticeSeekerKE: “Let’s support both instead of this nonsense #PeaceInMusic.”

  • @HopefulKenyan: “Bien and Otile, sort it out for the fans #KenyaMusicUnity.”

Whether it ends in collaboration or continued conflict, one thing is certain: the Bien-Otile saga is far from over—and Kenya’s music scene is watching.

KRG Asks Kenyans To Support Otile Brown Following His Beef With Bien

Controversial dancehall artist KRG The Don has once again injected himself into the ongoing drama surrounding R&B singer Otile Brown, this time urging Kenyans to support the ‘Chaguo La Moyo’ hitmaker. KRG’s plea, delivered with a characteristic mix of sarcasm and concern, comes amidst Otile Brown’s public spat with Bien-Aimé Baraza of Sauti Sol and the recent departure of his manager, Mumbi Maina.

The latest wave of tension began when Mumbi Maina announced her amicable decision to step down as Otile Brown’s manager after a year-long partnership. Shortly after, Bien-Aimé Baraza shared a cryptic Instagram post featuring his song “All My Enemies Are Suffering,” which many interpreted as a subtle jab at Otile’s situation.

Otile Brown, known for his unfiltered responses, quickly fired back at Bien, calling him a “hypocrite” and accusing him of seeking attention. This public exchange reignited a past beef between the two artists, which had reportedly seen Otile criticize Bien’s music and even accuse him of trying to “hijack opportunities” from international artists.

It is against this backdrop of musical feuds and managerial changes that KRG The Don weighed in. In a recent statement, KRG sarcastically implored Kenyans to rally behind Otile Brown, suggesting that the pressure might be getting to him.

“Kenyans, please help Otile by listening to his music again,” KRG stated, adding, “All he knows in this world is to do music; he can’t do anything else, just listen to his music. I’m begging you on his behalf. Coz ako karibu kulia sasa. Aki, he must be confused kabisa. Yani it’s that bad hadi he is beefing everyone, ndio akue relevant online.”

KRG’s comments, while seemingly sympathetic, carry an undertone of his past criticisms towards Otile, having previously called him out for being ungrateful and challenging his claims of being an “international artist.” This recurring dynamic between the two artists often leaves fans questioning whether their exchanges are genuine rivalry or a strategic move for online relevance.

Regardless of the underlying intentions, KRG The Don’s latest call has certainly added another layer to the unfolding drama in Kenya’s vibrant entertainment scene, placing Otile Brown firmly back in the spotlight. Fans will now be watching to see if this public plea translates into renewed support for Otile’s music, or if the feuds will continue to overshadow his artistic endeavors.

Kenyan Music Drama Heats Up: Otile Brown, Bien, and KRG the Don Clash Over Manager’s Exit

The Kenyan music scene is in turmoil once again, and this time the drama is almost louder than the music itself. Otile Brown’s manager, Mumbi Maina, has reportedly stepped down after barely a year in the role, sparking a flurry of reactions from fellow artists—and plenty of social media shade.

Bien Throws First Punch with a Viral Soundtrack

Sauti Sol’s Bien-Aimé Baraza wasted no time commenting on the news. He reposted a story about Mumbi’s departure and cheekily added his own viral track, “All My Enemies Are Suffering,” as the soundtrack. Fans immediately interpreted this as a subtle jab at Otile Brown, implying that Bien was celebrating Otile’s misfortune.

Otile Fires Back on Instagram

Otile Brown didn’t take the shade lightly. He launched into a fiery Instagram Stories rant, accusing Bien of being fake, attention-seeking, and addicted to social media clout. According to Otile, Bien is constantly inserting himself into trending conversations just to stay relevant, particularly on TikTok and gossip blogs.

KRG the Don Steps In with a Reality Check

Not to be left out, Dancehall artist KRG the Don joined the fray, calling for calm—and throwing in his own blunt commentary. Using his Instagram Stories, KRG criticized the constant bickering among Kenyan artists:

“I don’t understand our local artists anymore. They like fighting over nothing all the time. You’re all struggling in life!! The real enemy is poverty.”

KRG didn’t stop there. In what many saw as both support and a roast, he urged fans to stream Otile Brown’s music, implying that Otile is struggling emotionally and creatively:

“Please help Otile by listening to his music again. That’s all he knows how to do in this world. He can’t do anything else. I’m begging you on his behalf.”

“He’s almost crying now. He’s beefing with everyone just to stay relevant. Next time Otile, if you get favours again, be humble. Usikule stock.”

“We Need Unity, Not Plot 10 Drama”

KRG then called for unity in the industry, comparing Kenya’s infighting to “Plot 10 children” squabbling over petty issues:

“Artists from other countries are uniting on projects and elevating their culture globally. We’re stuck fighting. Meanwhile, Kenya is home to international acts—our artists don’t even realize that others around Africa dream of gaining Kenyan recognition.”

Backlash Over “Local Artist” Comment

KRG’s pointed reference to Bien as a “local artist” sparked immediate backlash, with fans quick to defend Bien’s global credentials. From sold-out international tours to high-profile collaborations, Bien has emerged as one of Kenya’s most internationally visible musicians.

While Otile’s management shake-up remains the spark, the broader fallout reveals deeper tensions in Kenya’s music industry—from the challenges of staying relevant to the pressures of fame and the constant battle for dominance in an evolving digital landscape.

Whether this latest feud fizzles out or escalates further remains to be seen. One thing’s clear: in Kenya’s music scene, the drama never stops.

Fresh Fire- Otile Brown & Bien Reignite Their Beef In Public Spat

The Kenyan music scene is once again buzzing with tension as a long-simmering rivalry between celebrated artists Otile Brown and Bien-Aimé Baraza of Sauti Sol has erupted into a fresh public spat. The latest exchange of words, primarily unfolding on social media, hints at deep-seated animosity between the two musical heavyweights.

The recent flare-up appears to have been triggered by a seemingly subtle, yet pointed, social media post from Bien. Following the news of Mumbi Maina’s departure as Otile Brown’s manager, Bien took to his Instagram to share a line from his popular track, “All My Enemies Are Suffering.” While he didn’t directly name Otile or Mumbi, the timing of the post, coming just hours after Mumbi’s announcement, was widely interpreted by fans and observers as a cryptic jab at Otile Brown.

Otile Brown’s Strong Response

Otile Brown did not take the perceived slight lightly. He has since “seriously addressed” Bien’s comment, asserting that it would only take “one bad move” for Bien to “fall” from his current standing, and conversely, only “one great move” from him (Otile) to enjoy the same grace and popularity Bien currently commands among Kenyans. This direct challenge indicates Otile’s belief in his own musical prowess and his readiness to compete for the top spot

A History of Tensions

This isn’t the first time the two artists have found themselves at odds. Previous reports from around July/August 2024 indicated an earlier bout of online drama. At that time, Otile Brown reportedly criticized Bien’s music, specifically a collaboration with Prince Indah, citing issues with melodies, flow, and lyrics. He also made allegations that Bien attempts to “hijack opportunities” from international artists visiting Kenya, allegedly advising them against collaborating with specific local artists. Bien had then responded with a simple “Wahala,” while Prince Indah remarked on “the pressure increases.” There were even reports of Bien issuing an apology to Otile to end their feud around August 2024, suggesting a prior attempt at reconciliation that seemingly did not hold.

The current escalation indicates that any past resolutions were temporary, and the underlying competitive tension remains. Fans are now keenly watching to see if this latest public exchange is a genuine resurgence of rivalry or a strategic move for increased public attention within the dynamic Kenyan music landscape.

Otile Brown’s Manager Mumbi Maina Steps Down, Exposing the Harsh Realities of Celebrity Management

Just seven months into her role, Mumbi Maina has officially resigned as Otile Brown’s manager, marking a surprisingly short tenure compared to her predecessor Joseph Noriega, who served for six years.

In her resignation statement, Mumbi cited a desire for “peace, purpose, and professional evolution”—a subtle yet revealing reference to the intense mental and emotional toll of managing a high-profile artist.

Her departure highlights a critical but often overlooked reality: while artists enjoy the limelight, their managers work behind the scenes under relentless pressure and often without recognition.


The Myth of the Glamorous Job

To outsiders, managing a celebrity may seem like a glamorous dream—exclusive parties, international travel, VIP access, and close proximity to fame. While these perks do exist, insiders know the truth: the role is grueling.

Behind the scenes, managers face long hours, high-stakes decisions, emotional labour, and the constant demand to be available—often 24/7. The job goes far beyond scheduling; it includes navigating volatile personalities, industry politics, public scrutiny, and online backlash, all while protecting and promoting the artist’s brand.


When the Job Becomes Life

Celebrity management doesn’t stop at 5 p.m. Managers are on call for everything from last-minute emergencies to emotional support and unexpected opportunities. This lack of boundaries can be mentally and physically exhausting.

In Kenya, where resource constraints often mean one person is expected to manage tasks typically handled by entire teams abroad, the pressure is magnified. Burnout is common, and support is rare.

Managers are often blamed when things go wrong—missed shows, canceled appearances, or controversies—but receive little credit when things go right. Their role is critical but largely invisible.


Global Standards vs. Local Realities

Top global artists like Taylor Swift, BTS, and Wizkid rely on extensive teams: tour managers, brand consultants, digital strategists, publicists, legal experts, and even wellness coaches.

Even African superstars like Davido, Burna Boy, and Diamond Platnumz operate with specialized teams to handle various aspects of their careers.

In contrast, many Kenyan artists rely on a single manager to handle everything—a model that may suffice for newcomers but becomes unsustainable as careers grow.


The Silent Struggles of Managers

Conversations about mental health in Kenya’s entertainment industry rarely address managers, even though they bear the brunt of both public controversies and private crises.

With no access to mental health support, structured breaks, or professional development, many managers struggle in silence. Some quietly resign, as Mumbi did, while others burn out in full view of the public.

There is a pressing need for professional training, mentorship programs, and the adoption of team-based management models in Kenya’s music industry.

Most importantly, there must be a cultural shift—one that sees managers not just as background players, but as essential professionals who deserve respect, boundaries, and support for their well-being and growth.

Otile Brown Fires Back at Savara’s “Overrated” Jab

The East African music scene is ablaze with drama as R&B heartthrob Otile Brown delivered a sharp and cheeky response to Savara Mudigi’s claim that he’s the region’s most overrated artiste. The exchange, unfolding in real-time today, has fans picking sides and the internet buzzing with reactions, proving once again that Otile knows how to keep the spotlight firmly on himself.
The saga kicked off when Savara, the acclaimed Sauti Sol producer and vocalist, appeared in an interview with Stephanie Ng’ang’a earlier this week. Asked to name East Africa’s most overrated singer, Savara didn’t flinch. “Otile Brown,” he said flatly, raising his hands as if to dismiss any debate, though he offered no reasoning to back up his bold claim. The statement landed like a thunderclap, instantly sparking chatter among fans and industry insiders alike.
But Otile Brown, never one to let a slight go unanswered, hit back with a response that oozed confidence and a touch of playful defiance. Taking to his Instagram page on Thursday, March 27, 2025, the “Dusuma” crooner posted a message that turned Savara’s critique into a badge of honor. “The obsession—if I’m not a threat, then why do y’all keep dissing? I love it. Savaraaaa,” Otile wrote, punctuating his retort with a tone that suggested he’s more amused than rattled. The implication? If he’s truly overrated, why does his name keep ringing bells in the mouths of heavyweights like Savara?
Otile’s clapback has only intensified the spotlight on this brewing feud. Known for his silky voice and romantic Swahili hits, the singer has built an empire of fans across Kenya, Tanzania, and even internationally, with streaming numbers that rival the best in the game. Songs like “Chaguo La Moyo” and “One Call” have made him a staple in East African R&B, while his charm and media savvy have kept him a constant figure in the public eye. To Otile and his supporters, Savara’s comment feels less like a critique and more like an acknowledgment of his inescapable presence.

Savara Sparks Controversy by Labeling Otile Brown East Africa’s Most Overrated Artist

The East African music scene is buzzing with tension after Savara Delvin Mudigi, a renowned producer and member of the acclaimed Kenyan boy band Sauti Sol, ignited a firestorm by calling R&B sensation Otile Brown one of the region’s most overrated artistes. The bold statement, made during a recent interview, has set off a heated exchange between the two musicians, drawing fans and critics alike into the fray.
The controversy began when Savara appeared in a candid session with interviewer Stephanie Ng’ang’a. When asked to name the most overrated singer in East Africa based on his extensive experience in the industry, Savara didn’t hesitate. “Otile Brown,” he declared, raising his hands as if to signal the matter was closed. He offered no further explanation, leaving his assertion hanging in the air like a musical gauntlet thrown down for all to see.
Otile Brown, whose real name is Jacob Obunga, wasted no time in responding. Taking to his Instagram page on Thursday, March 27, 2025—the very same day the story broke—the “One Call” hitmaker fired back with a mix of mockery and defiance. “The obsession—if I’m not a threat, then why do y’all keep dissing? I love it. Savaraaaa,” Otile wrote, laughing off the critique while suggesting that Savara’s focus on him hinted at an underlying admiration or rivalry rather than genuine dismissal. For Otile, the idea that he’s overrated doesn’t hold water when his name keeps dominating conversations.
The clash has reignited debates about talent, hype, and success in East Africa’s competitive music landscape. Otile Brown, a household name known for his smooth vocals and romantic ballads, has built a massive following across Kenya and beyond. His music, often steeped in Swahili lyrics and heartfelt melodies, has earned him a reputation as one of the region’s leading R&B stars. Tracks like “Dusuma” and “Chaguo La Moyo” have cemented his status, while his international streaming success—particularly in countries like France, Germany, and the US—underscores his broad appeal.
Savara, on the other hand, brings a different pedigree to the table. As a key creative force behind Sauti Sol’s genre-defining sound, he’s celebrated for his production skills and contributions to the band’s Afro-pop dominance. With hits like “Sura Yako” and “Melanin,” Sauti Sol has garnered both local and global acclaim, including performances in the United States and nominations for prestigious awards. Savara’s solo ventures have further showcased his versatility, but his comment about Otile has shifted the spotlight onto this unexpected feud.

Otile Brown’s Latest Song: Does Brian Mwenda Have a Point?

Change is inevitable, but it’s not always met with enthusiasm—something Brian Mwenda recently highlighted.

The entrepreneur subtly criticized award-winning R&B singer and songwriter Otile Brown, expressing disappointment in the artist’s new musical direction.

Brian argued that Otile’s recent songs lack the appeal of his earlier work, urging the 30-year-old to return to the signature sound that first made him a household name.

As a longtime fan, he reminisced about Otile’s breakthrough hit “Imaginary Love” featuring Khaligraph Jones, noting that he has followed the singer’s journey ever since.

Taking to social media, Brian candidly shared his thoughts: “Bro, something feels off with these new releases.”

He insisted that his feedback came from an informed perspective, given his deep appreciation for Otile’s music over the years.

“This is coming from someone who has been with you since ‘Imaginary Love,’ through your first album, second album, and beyond,” he emphasized.

A Passionate Plea to Otile Brown

Brian clarified that his critique was rooted in admiration, as he believed Otile’s current musical approach was holding him back rather than propelling him forward.

“I genuinely love your music and can sing almost your entire catalog, but this new style is limiting you instead of pushing you to greater heights. Your heart is in the right place, but your direction needs adjustment. Rekebisha (fix it). One love.”

Fans Weigh In

Brian’s remarks sparked mixed reactions online. While some agreed that Otile’s older sound was more impactful, others supported the singer’s decision to experiment with different styles, including incorporating English into his music.

Some fans speculated that Otile’s shift in style was simply a reflection of his current life experiences, particularly his happiness, which contrasts with the emotional heartbreak songs he was once known for.

Here’s what fans had to say:

  • “I think Brian has a point. I still prefer Otile’s older songs.”
  • “Brian is right—button!” (Encouraging others to like the comment if they agreed.)
  • “Artists write from experience. Otile and his circle have been happy lately. Give it time—he’ll bring back the heartbreak songs you all miss. Even Khaligraph mellowed out after building his house!”

Otile Brown’s Career Highlights

Otile Brown has enjoyed a successful career. In July 2022, he became the first Kenyan artist to surpass one million YouTube subscribers. That same year, he ranked among Kenya’s top-earning artists on Spotify.

“I didn’t have to whine my waist for views” – Otile takes shots at Bien

Otile Brown maintains that he is the leading artist in the Kenyan entertainment industry, asserting that his music stands unmatched by any other artist in the country. This assertion has fueled the ongoing feud between him and Bien, which has been unfolding on social media.

CHECK OUT:

Bien clarifies that while he is Otile Brown’s biggest fan, he does not wish to be compared to him

The conflict began when Otile Brown claimed that Kenya has not produced any international artists. According to Otile, no Kenyan artist has successfully penetrated both the African and global markets. In response, Bien highlighted Sauti Sol’s achievements over the years, but Otile dismissed these accomplishments, arguing that a few successful songs in Africa and parts of Europe do not make Sauti Sol an international act, but rather just another African boy band.

The feud has escalated, with Otile Brown recently criticizing Bien for relying on dance moves to gain views and attention. Otile pointed out that his own music videos, particularly his last major hit, have achieved significant views and impact without such tactics.

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Chiki Kuruka Defends Husband Bien After Celebrity Crush Video Goes Viral

“Go check your last hit song and check mine. Still the last biggest hit song in the country in terms of views and impact. Still top music video in the country for almost a year and I didn’t have to shake my waist on social media,” Otile stated in a detailed post.

Otile further emphasized the importance of YouTube views over TikTok hits, suggesting that real success is measured by the number of listeners who actively search for and enjoy his music on platforms like YouTube.

Bien clarifies that while he is Otile Brown’s biggest fan, he does not wish to be compared to him

Bien Aime Baraza has decided to steer clear of the debate over Kenya’s international music presence, which was sparked by Otile Brown’s claim that no East African artists have achieved global status.

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Otile Brown Responds To Willy Paul’s Claim Of Being Better Than Him

 

Despite Otile’s controversial remark, which has led to divided opinions and led some to cite Sauti Sol’s success as a counterpoint, Bien has opted to stay neutral.

Bien’s Response
The singer-songwriter emphasized that his primary goal is to create music that he enjoys and finds fulfilling, rather than seeking international fame.

“I really don’t care if I go international or not,” Bien said, highlighting that his focus is on personal expression through music rather than global recognition.

He also suggested that Otile’s comments were likely a publicity stunt to promote his upcoming project.

“Let him talk. I hope he’s about to release a new song. You know Otile loves the spotlight. Let him show his skills. Otile should not be talking. He’s speaking like what? Otile just released a whole album that didn’t go anywhere. Not a single track has trended.”

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Otile Brown Dissapointed With Fans After Release Of His Album

Despite their differences, Bien admitted that he still listens to Otile’s music, even if the feeling isn’t mutual.

“I listen to Otile. I’m his fan, but he doesn’t like me,” Bien stated.

Otile has a history of engaging in feuds with fellow artists, but it’s clear he’s not backing down this time.

Listen to Bien’s full interview below;

Otile Brown Responds To Willy Paul’s Claim Of Being Better Than Him

Otile Brown is sporting a new tattoo and making headlines in the Kenyan music scene.

Pozze recently released his album “Beyond Gifted” and claims it achieved 20 million streams on the first day, making it the most successful album in Kenya. This sparked a debate with other musicians, including Otile.

Pozze hailed himself as the biggest artist in the 254; and maintained that his album would continue doing way much better than that of Otile Brown.

“The album of the year is already at 2.2 million streams on boomplayKenya alone. Ingine naskia iko na 1.9 na 3 months uko waah, anyway continue streaming my well-written English album”

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Otile Responds

Otile responded by sharing a radio interview where he declared himself the “King” of Kenyan music. He emphasized that his music is not just about financial gain, but about social impact.

“Kubali I am the best you have, for real, for real. Ukatae, ukubali …sasa nani atawapatia hizi vibes? Na kuna watu ambae wamekaa hapo wanawaza kwamba ohh Otile tunataka aondoke kwa sababu they want to convince themselves that I aint a special case. umeelewa? Coz they ain’t ever seen somebody who is on his vibe like me. ” he bragged.

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Mulamwah Celebrates 31 Years With Reflective Message

Otile believes his music resonates with all ages and educates listeners. “You see how much I impact society,” he stated. “I’m the artist a mother can listen to with her children. That’s why I’m so loved. I don’t have fans, I have an army.”

Who do you think is better between the two?

Otile declares the publication of his debut gospel single.

After experiencing a mixed reaction from fans at the Raha Fest concert, artist Otile Brown has revealed his upcoming release of his first gospel song.

Taking to his Instagram, Otile shared a snippet of him performing the song and announced its debut on Friday, April 5.

Discussing the inspiration behind the composition titled ‘Hafanani’ (He is Unlike), Otile expressed his desire to sing about God, marking a departure from his usual themes.

“#Hafanani drops tomorrow… first gospel song. Let me sing to the Lord, I sang about many things but never sang to Him 😔 witness with my voice tomorrow,” Otile shared.

In some excerpts of the song, the artist can be heard singing about his fearlessness in the face of adversity, trusting in God’s presence.

Here are a few lines from his verses:

“I am defeated, yet I am not afraid even in accidents, as long as You are with me, I am fearless even in accidents because my God, He is unlike any human…”

This release follows shortly after his album launch featuring 15 tracks, including the popular ‘One Call,’ which gained traction among Kenyans, particularly in the wake of TikToker Brian Chira’s passing.

Otile Brown Releases First Gospel Song “Hafanani” After Criticism Over Raha Fest Performance

Following a mixed reception at the recent Raha Fest concert, Kenyan artist Otile Brown has surprised fans with the announcement of his first gospel song.

Titled “Hafanani” (He is Unlike), the song is set for release on Friday, April 5th. Otile shared a preview on his Instagram page, expressing his desire to sing praise to God.

“Many things have inspired my songs,” Otile wrote. “This time, it’s the Lord. Witness my voice tomorrow as I sing to Him for the first time.”

The short clip features snippets of the song’s lyrics, including a powerful message of faith. Otile sings about facing challenges without fear because of his unwavering belief in God’s presence.

“Even in accidents, even in death, I am not afraid,” the lyrics proclaim. “As long as You are with me, my God, You are unlike any human…”

This announcement comes just weeks after the release of Otile’s 15-track album, which included the popular song “One Call.” The song gained significant traction following the death of Kenyan TikTok star Brian Chira.

Otile’s foray into gospel music is a bold move, and fans eagerly await the release of “Hafanani” on Friday.

Otile Brown Dissapointed With Fans After Release Of His Album

Kenyan musician Otile Brown, recently opened up about his latest album, “Grace.” In a March 26th interview with a local media outlet, Brown discussed factors that might have impacted the album’s performance.

High Hopes, Evolving Industry

Brown acknowledged his initial optimism for “Grace,” but also recognized the changing landscape of the music industry. He pointed to a rise in online personalities like bloggers, vloggers, and TikTok stars, contrasting it with the focus on music itself when he debuted.

“To be honest, it wasn’t what I expected,” Brown said. “I had high hopes, but there’s a lot going on in the industry these days. There are more distractions – not like when I released my first album years ago. Back then, it was all about the music and the artist. Now, there are bloggers, vloggers, even TikTok stars, everywhere.”

Before the release of his album, Otile Brown said he would stop doing music if his then upcoming album would flop.

The musician now claims that Tik-Tok has turned artists into influencers.

Read also;Influencers are now artists because to TikTok – Otile Brown

Either way, Otile Brown has been in the industry for several years now; and his immense talent has been conspicuous over the same period.

He has produced good music with both local and International artists; with his song ‘Dusuma’ being one of his greatest hits in East Africa.

Otile Brown Responds To Rumors Of Clout Chasing Chira’s Funeral

Kenyan singer Otile Brown has addressed speculation that his performance at TikTok star Brian Chira’s funeral was a publicity stunt.

Brown delivered a heartfelt performance at the ceremony on Tuesday, March 26th, which moved many attendees. Following the event, rumors surfaced online questioning his motives.

In a recent interview, Brown clarified that he sang at the funeral solely due to overwhelming fan requests. Fans expressed that Chira was a big fan of Brown’s song “One Call.”

Honoring a fan’s memory was Brown’s primary motivation. “What does promoting my album have to do with this?” Brown said. “Those who know me understand I’m simply showing love. I never met Brian personally, but fans brought him to my attention during a live stream.”

Brown continued, “Upon learning more, I discovered he was a huge fan. Look at the comments on ‘One Call’ on YouTube – it’s all about him! People are showing their love, not me. Those who know me know I don’t chase clout. This was purely an act of respect.”

Brown emphasized that his song’s popularity wouldn’t have been affected by his presence at the funeral. He concluded by challenging his critics: “Would you have preferred I not attend?”

Following reports of clout chasing after Chira’s death, Otile Brown responds angrily

Award-winning Kenyan singer Otile Brown has dismissed accusations of trying to gain attention from the tragic passing of TikToker Brian Chira.

“What relevance does my album have to the deceased? If you know me, you know I only spread love. Personally, I didn’t even know him. It was the fans who brought him to my attention during a live session with a Tanzanian blogger, urging me to sing the song,” Otile clarified.

He emphasized that his decision to perform at Chira’s burial was based on discovering that Chira’s favorite song was “One Call.”

“After some investigation, I realized he was a huge fan of my music. If you check the comments on ‘One Call’ on YouTube, you’ll see they’re all about him. It’s not about me; it’s the fans showing their love,” Otile explained.

Known for his reserved nature, Otile reiterated that his gesture of performing was simply a display of appreciation.

“Those who know me understand that I don’t typically show support publicly, but in this case, I was just expressing gratitude,” he stated.

Furthermore, Otile pointed out that regardless of his attendance at the burial, “One Call” continued to gain popularity.

“The song is still thriving, with around 200k views per day. So, whether I had shown up or not, the song’s success remains intact. It’s amusing that people would think otherwise. What exactly are they expecting?” Otile questioned.

On March 26, 2024, Otile Brown performed “One Call” at Chira’s burial ceremony.

Otile Brown Performs At Brian Chira’s Funeral

Renowned musician Otile Brown has fulfilled his promise of performing at Brian Chira’s funeral ceremony.

Photos of the musician’s arrival excited fans even though it was a funeral service.

Otile’s ‘One Call’ Hit Song

After Chira’s untimely demise, fans flocked Otile’s YouTube page to listen to the song as some requested him to perform it during Chira’s burial.

What Chira is doing to #OneCall is just crazy. His light is bright and the love is felt. Sending you love and prayers…rest well king,”.

“Would love to perform the song at the burial and help make it memorable for him to if that is possible. If possible, to the people attending please learn the lyrics so we sing and celebrate him,” Otile Brown shared.

Otile’s hit song ‘Once call’ was one of Brian Chira’s favourite; and performing it infront of his fans was a pleasure worth embracing.

The memorial service & tribute ceremony were held at Rainbow Resort in Ruiru to celebrate Brian’s life.

Brian’s grandmother requested he be buried in a graduation gown because he excelled in school.

Though he hadn’t graduated from Kabarak University, Brian was described as a bright student by his high school classmates at Nkubu High School.

His burial took place today, Tuesday, March 26th, 2024 in Githunguri.

It’s a touching story of how Brian’s academic achievements were honored by his family.

Source-(Mpasho)

Why did Otile Brown select Mumbi Maina to be his manager?

Otile Brown’s manager, Mumbi Maina, recently disclosed that she and the artist have been friends for over four years. Speaking with Massawe Jappani, Mumbi praised Otile for his humility.

“He is humble, cool, calm, and collected. I have known him for five or five years; we began discussing the possibility of me managing him last December (2023). We connected online, and he was the one who discovered me,” Mumbi shared.

When asked why she was chosen as his manager, Mumbi emphasized the importance of trustworthiness and intelligence.

“There are certain qualities I look for; are you trustworthy, are you woke? We have been friends, and what I appreciate about her is her intelligence,” Otile elaborated.

Regarding rumors about their relationship, Otile clarified that they are not dating, stating that if they were, they wouldn’t hide it.

In January 2024, Otile Brown officially introduced Mumbi Maina as his new manager on social media, expressing his excitement about working together.

“Thrilled to welcome our newest team captain @_mumbimaina. Excited to have her leadership on board as we embark on exciting ventures together. Here’s to collaboration, growth, and achieving new heights 🚀 #newmanager,” Otile Brown announced.

Otile had parted ways with his former manager, Joseph Noriega, in June 2023 after a six-year partnership. Despite the split, Otile expressed gratitude to Noriega for his role in shaping his career.

“Working with Noriega has been an incredible experience. His passion and support have shaped me as an artist, and I will forever cherish our partnership. Noriega, bless up king, love always. Grateful for the journey, memories made, and success achieved along the way,” Otile stated.

Assuring his fans that his music journey would continue uninterrupted, Otile affirmed his commitment to creating exceptional music with the same passion and dedication.

“While Joseph Noriega will be missed, Otile Brown remains committed to his musical journey with the same passion and dedication. Fans can rest assured that Otile Brown’s vision and exceptional music will continue,” concluded the statement.

Influencers are now artists because to TikTok – Otile Brown

Award-winning singer Otile Brown has voiced his concerns about the impact of TikTok on musicians, suggesting that the platform is turning artists into influencers.

The “Baby Love” singer emphasized that artists shouldn’t be overly present on TikTok, primarily focused on dancing.

“TitTok has turned artists into influencers. As an artist, you should not be out that much dancing on social media. It might make your song grow but it takes something from you. As an artist, you should be rare,” Otile Brown explained.

He expressed his belief that excessive exposure on social media could diminish the allure of an artist, ultimately affecting their live performances.

“People won’t see the need to come to your shows because you are already exposed,” he added.

Otile attributed his success to his music, which he described as “educative” and focused on making a positive impact on society.

“It’s not about me being a King, it is about impacting society. I have an army; I do not have fans. I have songs kids can listen to with their parents. I have people who can go to war for me,” he concluded.

Otile Brown will play during the funeral service for Brian Chira

Singer Otile Brown has expressed his readiness to perform at the upcoming burial ceremony of the late Brian Chira, scheduled for Tuesday, March 26, 2024.

In a recent update shared by Mpasho, Otile acknowledged the impact of Chira’s passing on his song “One Call,” which features Ruby from Tanzania. The track has gained increased popularity since Chira’s death, with fans flocking to Otile’s YouTube page and other streaming platforms to listen to it.

Expressing his sentiments, Otile stated, “What Chira is doing to #OneCall is just crazy. His light is bright and the love is felt. Sending you love and prayers…rest well king.”

He further expressed his desire to perform the song at Chira’s burial to make the occasion memorable. Otile encouraged attendees to learn the lyrics so they could sing and celebrate Chira’s life together.

Recently, Otile paid tribute to Chira upon learning that the TikToker loved his song “One Call.” Reflecting on the loss, Otile wrote, “Rest easy young King. This life thing can get crazy sometimes. I can only try to understand till we meet again,” expressing gratitude for the love shown towards “One Call.”

Chira’s burial is scheduled for Tuesday, March 26, 2024, in Githunguri, where he will be laid to rest in a graduation gown as per his grandmother’s request.

Why, following Brian Chira’s passing, Kenyans flocked to Otile Brown’s YouTube page

New details about the late Brian Chira have emerged two days after his tragic passing. Chira was involved in a fatal road accident early Saturday, March 16th.

Many Kenyans have been visiting Otile Brown’s YouTube channel, where they are tagging the musician and informing him that Chira reportedly loved the song “One Call,” which is a collaboration with singer Ruby and was released in February 2023. The song revolves around the theme of lovers being able to rely on each other by reaching out in times of need.

In response, Otile Brown has acknowledged his fans’ comments and paid tribute to Chira in a heartfelt message. “Rest easy, young King. This life can get crazy sometimes. I can only try to understand until we meet again,” he wrote. He also expressed gratitude for the love shown to their song “#onecall,” which currently has over 4 million views on YouTube.

According to the last person who spoke to the content creator, Chira had reportedly begged for help. The witness, speaking to YouTuber Presenter Ali, stated that Chira appeared intoxicated and had been ejected from a popular club after a altercation. The witness offered to take him home, but Chira disembarked from the boda boda along the way and ran across the road. Tragically, he was struck by a lorry around 3 am on Saturday in the Gacharage area on the Ndenderu-Ruaka Road in Kiambu County. His body was subsequently taken to the City Mortuary.

Willy Paul retaliates against Otile Brown for disparaging Kenyan musicians

Singer Willy Paul has responded to fellow artist Otile Brown’s recent remarks about the state of Kenyan musicians’ international recognition.

At a press conference and brand meetup unveiling BoomFest 2024 on March 14, Willy Paul, known affectionately as Pozze, wasted no time addressing Otile Brown’s comments. He asserted that he refuses to carry the burden of others’ struggles.

“Don’t bring me your problems. I am too international. Please don’t project your issues onto me. If doors have closed for him to go international, he shouldn’t blame all of us,” Pozze stated firmly.

Expanding on his position, he declared, “No one should point fingers at others. Kenyans have immense potential. We will conquer the world.”

This response follows Otile Brown’s recent challenge to East African artists, urging them to step up their efforts to compete globally.

In an honest interview with Oga Obinna on YouTube, Otile Brown emphasized that there isn’t currently a single East African artist recognized on the international stage.

“We have to fight for this international title because right now the industry is stagnant. Let’s not deceive ourselves; in East Africa, there’s no international artist. We’re all stagnant; there’s no international artist,” Otile Brown asserted.

He further highlighted the remarkable success of Nigerian singer Ruger and noted the absence of a comparable figure in East Africa.

“Let’s face reality. We have a lot of work to do. Let’s not pretend that we need to repackage ourselves and make noise. Some artists just recently gained prominence, they’re not in my league, people like Ruger and others. A newcomer who recently emerged, yet no artist in East Africa can rival Ruger on the international stage,” he emphasized.

BoomFest 2024 will feature performances by several Kenyan artists, including Nameless, Ssaru, Fathermoh, Buruklyn Boyz, V-Be, Arrow Bwoy, Nadia Mukami, Willy Paul, Boutross, and DJ Lyta.

Former Otile manager Noriega says he got a Lexus 570 because he was petty

Noriega Don, the former manager of singer Otile Brown, is renowned for his impeccable fashion sense, often seen making bold style statements in public appearances.

In an interview with Oga Obinna, Noriega emphasized his appreciation for style and fashion, underlining his commitment to dressing to impress.

In 2023, as the CEO of RKC label, he acquired a Lexus, prompting discussions about his significant investment in the luxury vehicle.

Noriega clarified that his decision to purchase the Lexus was not solely driven by financial considerations but also by a desire for personal refinement and self-presentation.

“It’s not always about the money, you know. And besides, you can’t skimp on certain things. You have to set yourself apart,” Noriega explained.

Upon hearing the news, Oga Obinna expressed admiration, assuming that the Lexus was a celebratory acquisition for the record label.

However, Noriega dispelled this notion, expressing mixed feelings about the purchase and suggesting that it was influenced by other factors, including a touch of pettiness.

“I feel like the reason for buying the Lexus was somewhat petty,” Noriega admitted.

Intrigued by this revelation, Oga Obinna questioned whether purchasing a Lexus out of pettiness was a common practice.

Noriega elaborated, mentioning various influences behind his decision, including inspiration from President Ruto’s choice of vehicle and personal considerations related to his ex-partner’s marriage.

Despite these personal motivations, Noriega highlighted the practical aspect of acquiring the Lexus for business purposes, emphasizing its role in enhancing his professional image and garnering respect in his industry.

He concluded by emphasizing the upward trajectory of his business, indicating that the purchase aligned with the expansion and scaling of his enterprise.

Otile Brown: My career took off after dating Vera

Kenyan R&B sensation Otile Brown recently discussed the pivotal role that his relationship with Kenyan socialite Vera Sidika played in advancing his music career.

During a recent interview with Oga Obinna, Otile Brown expressed his appreciation for Vera, acknowledging her significant contribution to his success. The ‘Baby Love’ artist emphasized that Vera’s presence during their relationship had a profound impact, helping elevate his career.

“I’ve always given her flowers. It’s only right. I was big but not all the way. Being that she was a popping socialite at the time, it kinda fueled,” revealed Otile.

While crediting Sidika for her role in their relationship and praising her qualities, Otile Brown stopped short of confirming his emotions, stating, “I think she is an amazing person.”

He went on to share an anecdote about Vera Sidika initiating their relationship and her persistence leading to a visit to her home in Kitisuru. Otile described the encounter as “amazing” and highlighted Sidika’s straightforward approach.

“I think she is an amazing person. I feel like I am in this stage in life where I feel sometimes we make life so difficult for no reason. Give people props at the end of the day,” he said.

Otile Brown Credits Vera Sidika For Boosting His Musical Career

In a recent interview, Kenyan musician Otile Brown acknowledged the significant role his former relationship with socialite Vera Sidika played in his musical success. He expressed gratitude to Sidika, recognizing her positive impact on his career during their time together.

Brown, known for his hit song “Baby Love,” highlighted Sidika’s established social presence at the time and how it “kinda fueled” his own career growth. He acknowledged that while he was already gaining recognition, her involvement provided an additional boost.

Interestingly, Brown also revealed that Sidika initiated their relationship. While praising her qualities and describing a specific encounter at her house as “amazing,” he refrained from explicitly confirming his past feelings, stating simply, “I think she is an amazing person.”

Brown’s openness regarding Sidika’s role in his career trajectory offers a unique perspective on their past relationship and sheds light on the complex interplay between personal and professional lives in the entertainment industry.

Otile Brown Reveals Vera Sidika Constantly Texted Him To Initiate Their Relationship

In a recent interview, musician Otile Brown disclosed that socialite Vera Sidika was the one who initiated their relationship. Brown claims Sidika persistently contacted him, attempting to connect.

While Brown acknowledged Sidika’s role in their relationship and praised her qualities, he declined to confirm his own feelings, stating, “I think she is an amazing person.”

He recounted a specific instance where Sidika’s persistence led to a visit to her home in Kitisuru. He described the encounter as “amazing,” highlighting Sidika’s direct approach.

“I did not meet her. She was constantly looking for me. She used to really buzz me a lot. It is all love. I think she is an amazing person. I feel like I am in this stage in life where I feel sometimes we make life so difficult for no reason. Give people props at the end of the day. She is the one who used to buzz me. Actually, Nori is the one who told me to listen to her,” he said.

Brown’s revelation sheds light on the dynamic between the two celebrities, showcasing Sidika’s initiative in their relationship.

However, their relationship did not last as expected. Vera is currently with Brown Mauzo’s 2 children. They’re currently co-parenting after their break-up.