Willy Paul’s new song gospel is out. But,really,there is NOTHING so new about it. Or Gospel. Or fresh. Stuck with the same somnolent songwriting skills,same repetitive lines,same minimal creativity and same irksome themes,Willy Willy is a boy whose tenure in the Gospel Industry should have ended already.
When he did “Sitolia”,a collaborative work in which he included the services and angelic voice of Queen Gloria Muliro,Willy Paul was a boy who seemed like he could do no wrong. Sitolia was a smash hit…From clubs to homes to churches to streets to River Road to villages. The boy conquered them. Good and proper. His voice was beatific,his tone cherubic,his swagger enchanting,his dance styles captivating and his message stirring. And when Mama Gloria came in,blessing the microphone with her empyrean voice and seamless breath,Willy’s arrival was simply god-sent.
We saw a young,post-teen lad…With burnt hair,neck-twisting skills and a killer voice and My,Oh,My,we were spellbound.

Willy Paul never quite remained the sweet kid were figured him out to be,anyway. Quickly releasing “Mpenzi”,a follow up to ‘Sitolia’,Willy Paul’s propitious touch started ebbing away.
He didn’t quite seem to remain the adorable boy we had loved in Sitolia…He seemed to have grown. And seemed to have been in a desperate rush to cement his position in the industry. And rise to the zenith as quickly as he could. Mpenzi was not even really a Gospel song. Or You can call it one if stomping around a microphone romanticizing The Creator Of Mankind and calling Him names as casual as “Mpenzi” is Gospel.
And the video for Mpenzi?? Umm,let us not even go there.
And before the Mpenzi debacle had even died down,Willy released “You Never Know”. Urging the weak and downtrodden to hang on in there…For,You Never Know when blessings would come calling. Typical message…With a nuisance chorus that kept repeating itself over and over as is with all Willy Paul songs. The lyricism was as minimal as possible. And the adlibing was stretched to new levels.
And the use of words like ‘usipagawe’,’ukijizatiti’ didn’t make things any better anyway.
And at around that time,Willy Paul’s scandals started popping up. First with some mediocre girl at some basement at KICC to his falling out with his manager and mentor,J Blessing. The scandals kept popping up…And reports of J Blessing kicking Willy Paul out of his Record Stable for being a prick did the rounds.
Again,He did “Lala Salama” a song whose title was shamelessly borrowed from Diamond Platnumz’s song with the same title. Lala Salama was a song with no particular message whatsoever. Just the usual Willy Paul ramblings about his deprived childhood and lack of family care and struggles blah blah blah. How that qualified to be a Gospel song…I have NO idea!
Don’t even get me started on the juvenile words “Kama ni Kachumbari…Katurungi…Kapepsi…blah blah blah….” Songwriting never got worse.
Scandals seemed to follow the boy along. Reports of his diva demands started doing the rounds. And everyone who encountered the kid told tales of what an egocentric bighead Willy had become.
Fame,clearly,had gone into the boy’s head. And,somehow,it was reported that he was now beefing with his compatriot Bahati over the ‘Bongo Gospel’ supremacy.

And then he released “Missi” a song that generated quite a blizzard over his use of secular lines and nuances to refer to The Sovereign God. The ‘Missi’ video also featured tastely images of gorgeous women,lavishness,club scenes and bottles of pricey liquor including Ciroc,Malibu and Robertson’s Winery.
And all Gospel DJs REFUSED to play that song calling it blasphemous and too non-gospel.
Drama didn’t end there….Willy Paul traveled to the USA for a tour after which he came back a couple months later with a whole new accent,attitude and name. Willy Paul was now supposed to be called Willy Paul Msafi. Msafi,clearly,was a play on the much-famous Wasafi trademark that Willy Paul’s idol,Diamond,uses in all his music and craft.
And after doing a shambolic,profane interview on Larry Madowo’s The Trend show,Willy Paul was met with with an acidulated reception from angry fans on Kenya’s Social Media. Kenyans roundly lampooned Willy Paul for his new attitude. And more so for his not-so-creative stage name change.
And then he did, “Kwa Vile“. A song that,just like all of his songs,anyway,never even betrayed any Gospel-ishness in it. It was all a Diamond Platinum imitation effort,with quite a lot of fancy dancing,flashy shoes,ostentatious scenes and lame lyrics. The song was good,though. Quite catchy,I dare say.
And then came the Kitanzi thing. Which doesn’t even deserve an extra sentence in this article.
And again he dropped “Tam Tam” with Size 8. And before the song had even left the studio,an upcoming musician,Elijah Prince came forward and PROVED that Willy Paul had actually STOLE his song after they had had a brief musical interaction involving the song “Tam Tam”. The case even went to Court prompting Size 8 to publicly apologize for involving herself in a jacked song.
And if Willy Paul was not caught dating questionable girls and defending them viciously on Social Media,Willy Paul could be seen involved in a very public bitter Twitter war with Kiss FM’s Adelle Onyango after he had called her a lesbian for rebuffing his romantic overtures.

He was also numerously photographed flaunting wads of cash on the internet. He would even post the photos himself…Cuddling cash like some Mafioso in Mexico. Even putting the King Of Licentiousness Dan Bilzerian to shame.

His antics never quite came to an end…Snowballing from his public beefs with his frequent collaborator,Gloria Muliro,to his liaisons with random Caucasian women to his grandiose announcements on news interviews,Willy Paul never quite knew when to stop. When to calm down. And when to concentrate on Praising the God he wanted us to believe he was serving in the first place.
And with the constant release of his soooo secular music,which he loves to pass off as Gospel,even when the message,nuances,flamboyant videos and dance moves say otherwise,Willy Paul has quite lost the plot. And is dying to come out of the closet. The secular closet.

And have You listened to his latest song “Mamangu”?? The first 20 seconds of the song are a shameless thievery of Rihanna’s song Rehab. And the rest of the song,well,its the usual confusing gobbledegook.
This boy was NEVER meant for the Gospel Industry. Please Let us all allow him to cross over to the Secular World. He’s been dying to cross over for Years now.
DNG did it. And we allowed him. Could we all just let Mr. Willy Diamond Msafi Platnumz to just to club songs?? And feature bad bitches in his videos??
God,this kid lost the plot. Ages ago. Go ahead,Brother! Quit living a lie. You either doin’ it for tha Lord…Or fo tha World. Choose One,Mr.Diamond.
